Thursday, June 27, 2019

Henry Katindig

Henry Katindig – Scion To Philippine Jazz Great

It is common nowadays for a couple to have the same interest in life. But for the common interest to be the same passion is a rare occurrence. Like the Philippine’s Premier Jazz Pianist Henry Katindig and the Premier Jazz Diva Jeannie Tiongco, (daughter of Emil Tiongco of the popular Tiongco Brothers trio in the 60’s). The couple has been together for 19 years. And so is their passion.
Henry grew up in Kamuning,  Quezon City. His earliest memory of music was listening to a lot of jazz greats and going to his father’s gig. Henry studied classical music at age of 9 at Yamaha School Of Music. “It was basically innate and been in my dreams to be a musician at a young age”, explains Henry.
Although his skills are self-taught in conducting and arranging, his father’s advise has taught him a lot when it comes to   performing, “Just be yourself, master your craft and most of all keep your feet on the ground and couple it with prayer before you perform and thank God for his guidance”, recalls Henry. His father, Eddie Katindig or more popularly known as Eddie K., succumbed to heart attack last December 2017. With a musical lineage that has spawned some of the country’s most revered jazz icons, some quarters may say that his destiny has been preordained. Henry have 5 more other siblings and  two of his brothers are musicians. Tateng Katindig who is also a pianist, is now based in the US. Stix Katindig, a drummer who also works  abroad plays in a cruise ship. But despite the individual successes of his siblings   and kin – including uncle Romy Katindig and cousin Boy Katindig who are also piano virtuoso – Henry carved his own name through via extensive practice  and at the same time, created his own musical style.
For the past decades, Henry Katindig’s keyboard genius has earned him his rightful place in local jazz history. Whether playing pop or simple jazz fusion, his inventive and great style has earned him to be anointed keeper of Philippine jazz torch. He has paid his dues as a respected leader, sideman and first-call session artist, and his world-class keyboard artistry has been immortalized in countless recordings and jazz festivals both here and abroad. Ever the industrious musician, it’s not hard to miss his performance in a any major or minor jazz event in and around the Metropolis. When Richard Merk, a fellow jazz artist needed help, Henry Katindig  offer his talent pro-bono in raising the funds needed for Richard’s operation via Fundraising Benefit Show in 19East last 2018.
Despite his jazz inclination, Henry’s first few professional gigs found him dabbling in pop, blues and even rock. Henry  started performing in 1978 in a show band named ‘Centerfold Band’. He also did session work for Pinoy Rock guitar icon Wally Gonzales and played with his dad as well. And very recently, he shared the stage with Mike Hanopol in 19East. “When I was young, I idolized Mike because of his musical style”, admits Henry.
Through the years, he counts himself lucky for having worked with some of the biggest names in the jazz fusion scene, having worked with Pauline Wilson of Seawind and Laura Fygi as their musical director. But his most memorable was gig? “Playing with my dad, and to some international jazz artists at Java Jazz  2007/2015 “Euro Pinoy Jazz Fest”. It was a magnificent night of musical nomenclature”, attested Henry.
Henry Katindig Contemporary Jazz Group started in Strumms in Makati, and is regularly performing at Conrad Hotel C Lounge in MOA Complex.  His lone 2011 album “You And Me” has garner a resounding success and a  second album is in the works  anytime soon.

Ihawal

IHAWAL- Reinventing The Indie Pinoy Genre
Belonging to a politically active family would make one think that all the offspring would follow suit. Not really. Al Rashid Mohammad or Al, grew up in Alabang, Muntinlupa to a family that is involved in politics. His father is a former Vice Governor, worked at Customs and DTI among others. His sister ran alongside Isko Moreno in Manila. “My parents urged me to stop doing music and go the traditional business or politician way”, recalls Al.
His band “IHAWAL” has been making waves locally and are being praised by prominent bands in the music circuit. Their songs has captured audiences by surprise with their melodic and at times comedic lyrics. “I have a food business that involves grilling, IHAW, then dinugtong ko yun name ko AL, kaya naging IHAWAL. My drummer thought it was funny, but we all decided that it would be a great band name. My college band was ‘Burning Ember’, may konek pa din sa IHAW”, muses Al.
Being the 5th kid of 6 sibling, Al was always in the back seat of the car, and forced to listen to his elder brothers and sisters playlist. “I dominantly listen to alternative pop. Pero I listen to all types of music. Not to be biased. Basta maganda sa pandinig ko, ayus na. Our genre? I would probably say a mix of Alternative Pop and Rock Ballad pero Indie OPM na New Wave”, declares Al.
One won’t find similarities,  music-wise or genre-wise, in their songs.  Besides rock, there are dance beat, New Wave and ‘Kundiman’ style infused in our songs. Still working on their debut album with 8 new original tracks. “I present my band mates a new song. Kumpleto na with lyrics, arrangement and chords. i let them play with it according to their musical style. This way nag kakaroon ng depth ang kanta, kahit sobrang simple lang. All my bandmates are rooted in the New Wave genre. And you’d be able to hear this sa mga originals namin”, says Al. He adds, “I create inspirational songs. We wrap it neatly in our musical style and If you listen very carefully, hindi ka masusuya, hindi sya isang tunog lang”. Songs like ‘Giniling Sa Dilim’, Isang Guhit, Panatang Landian, Ang Tema, Kapit, Panandaliang Sandali, are some of the group’s tunes that are true-blue Pinoy.
Although IHAWAL is only over a year old, the members have been in the music scene way back. Current members of IHAWAL are Al Rashid Mohammad on guitars and vocals, Lawrence Manansala on lead guitar, Ken Randall dela Cruz on bass and Gabrillo IsidroI on drums. IHAWAL’s chief lyricist is Al, points out that he creates music for people to listen  and enjoy. And they never ever cover a song. “Sa dami ng kanta, we never cover any song sa lahat nang natugtugan namin. Sayang ang oras na ilalaan mo para sa kanta na likha ng ibang tao. Mas maige gumawa ng bago at pausbungin ang OPM. Hindi pagalingan kumanta, hindi pagalingan ng effect o lead. PAGANDAHAN NG KANTA AS A WHOLE”, reveals Al.
And I agree with him, totally.

Sunday, June 23, 2019

Charm Perez Garcia

Charm Perez - Garcia Lounge Diva
Growing up in a household with lots of music but not allowed to sing is a strange premise. Sounds like a plot out of the movie ‘Footloose’. But this is how Charm Perez Garcia's situation and grew up to be one of the country’s lounge and session singer.

“I grew up in Project 4,Quezon City with my kid sister Ruby and older brother Kuya Junjun. None of my siblings were involved in music except for a cousin whom I never met”, recalls Charm. She remembers her dad, at an early age of 3 , would play The Ratpack and James Last Orchestra where she would dance inside a ‘batya’ shaped like a bottle cap. “I don’t remember having anyone inside or outside the family directly influencing me in music. In fact, it was actually forbidden to sing in my family”, recalls Charm.

Her grandmother, a half blood from Malaga, Spain is a typical Spanish Mestiza, is where she most likely got her aristocratic looks just like her mother. Charm would join singing competition unbeknownst to her family. As early as high school, Charm knew then that she wanted to be a performer. “I honed my skills and personality. I knew I could sing but  wasn’t too confident so I joined a modelling agency to further my personality development training where I was taught to do make up, walk, sit, speak among other things”, says Charm.

She became an event host/emcee for Araneta. While hosting, she was also do ramp modelling for Cinderella, Bobson, Sundance, Vice Versa, Lee, Esprit, Banana Republic and Benetton. Then eventually for British India, Plains and Prints, and Mango. Her big break came when she was invited to be a regular party cast at “Keep on Dancing” a dance show on ABS-CBN hosted by Charlene Gonzales, Franco Laurel and Mark Nelson.

After ‘Keep On Dancing’ she was commissioned to sing on the ‘Guitar Night’ in Music Museum because Barbie Almabis was not available. RJ Jacinto got wind of her performance and got an invite onboard RJ and The New Riots. “When we guested on Larry Henares show and there I met Tito Ronnie Henares who took me onboard and trained me as a lounge singer. Then He recommended me to Shirley Kuan shortly after to replace Benj of the girl group Vanna Vanna formerly called FOJ”, relayed Charm. “I performed with several personalities before who also somehow contributed to my singing career. Ima Castro, Dessa, Rockstar, Blush, Side A, Freestyle, Tootsie Guevara, Geneva Cruz, Apo Hiking Society, Vernie Varga, Kuh Ledesma, Sharon Cuneta, Rico J. Puno, to name a few”, recalls Charm.

Charm started social dancing and Sabor Latino and her became very good friends. Soon after, they asked her to join in for good. Sabor Latino, a Katha Awardee 1998 for Best Latin Performer Band and Best Latin Interpretation with ‘Trabajar’ and 2004 Aliw Award Nominee for Best Group Performer in Hotel Lounges. The group is considered as one of the best in the industry has, thus far, performed in Hongkong, Singapore, Thailand, Malaysia, Indonesia, Australia, Vietnam, and almost all the 5 star hotels locally. They have been around since 1992 and is known to deliver high-powered latin pieces, and soulful rendition of timeless classics as well as tunes. Current line up of the group includes: Charm Perez on vocals, Joseph Aranza band leader/ percussionist, Kaell Casanova on keyboards, Heintje Berame on guitar, Joseph Ponce de Leon on bass and Elmer Saul on drums.

Her taste in music? “More on the jazzy side. I loved the era when pop jazz was dominating the airwaves and the likes of Kevyn Lettau, Oletta Adams, Patty Austin, Randy Crawford were the big hit makers of the time”. Charm has been in and out of the country for singing engagements both as a solo artist or with a group. And with her 2 kids in tow, it seems that she has no plan slowing down. Even her Salsa steps.

Saturday, June 15, 2019

Joko Reantso


JOKO REANTASO, BLUES GUITAR WHIZ KID
Kids today are so lucky. Not only with the onset of technology, but also the availability of all the gadgets and guitars around which made it a cinch for youngsters to express their creative side. Take for example Jonathan Marco Reantaso, Joko for short. This 20-year old guitar enthusiast has enough accomplishment to date. And he is not slowing down.
He formed his first band when he was just 11 years old “Sino” in 2011 and won as Grand Champion in Back to Back Talent Contests in San Beda College Albans 2011 and 2012. “I grew up in Las Piñas, and my dad and I would go driving to places listening to Van Halen, The Beatles, Jimi Hendrix, Eric Johnson, that sort of music,  and I kind of grew up liking it”, admits Joko.
In 2013 he formed “Juaneo” in 2013 and was able to get an invite to perform as one of the up and coming bands in the second anniversary of the Philippine Blues Society January 2014. “I took a few lessons here and there, but most of my skills now is I picked up online and a big chunk from the people I met along the way. I basically took everything in and pushed myself to be better everyday”, declares Joko.
“Mean Jay” was his next band formed in 2014. They were the Champion for Greenhills Sessionistas again on the same year.  Their band was selected by the Philippine Blues Society to represent the Philippines in the International Blues Competition 2015, Memphis Tenessee. Coming back home another Grand Champion award was accorded to the band for the Yellow Room Battle of the Bands 2015. He was also took the Best Guitarist Award.
From 2015 to 2017, he became the Brand Ambassador for Fender Guitars (Philippines) and Yupangco Music Philippines, making him the youngest recipient of that distinction, thus far. “I am truly blessed to have jammed with Juan Dela Cruz Band, Louie Talan, Basti Artadi, Perfecto De Castro, Cookie Chua, the list goes on….”, reminds Joko.
He also did some session guitar for French Recording Artist David Abakan’s Manila Album Tour. Plus countless performances with guitar greats in many places. Besides to guitar, Joko can also pound the skin and also play the keyboards. “My collection includes a 1994 Fender Strat Squire, a Fender Classic Jaguar, a Fender John 5 Tele, a Chapman ML3 and a Randy Rhoads Flying V”, says Joko.
Joko launched his solo EP album called ‘Sunny Side Up’ last 2018 in 19East. And another is in the works this year. Currently, his band ‘JOKO’ plays original guitar instrumentals. And with a couple of other bands on the side as well. And all of this are happening while he is a student in College of St.Benilde in Taft Ave. taking up AB-Studio Recording.

Louie Manlapas

Kap.Louie Manlapas, The Singing Barangay Captain of Bacoor Cavite
When Louie Manlapas ran for Barangay Captain of Barangay Real 1, Bacoor, Cavite, he was prepared in spearheading help to his constituents and neighborhood. Little did he know that he will also spearhead to lead a band  with his moniker aptly called ‘Real One BNK’ (Banda Ni Kap).
Formed last 2017 with the help of Diablong Buang guitarist Bong Solis, Real One BNK experienced a minor revamp in its lineup with Ashley Morilla on female vocals, Marnie Racela on Bass, Dong Rapanot on guitars, Rizvi Escarilla on Keyboards, Jhay Miranda on drums and Kap Louie himself on male vocals. The band’s influences are The Beatles, Rolling Stones, Lynyrd Skynyrd & Pink Floyd.
Kap.Louie, as he is fondly called says it’s time management on how he can balance to be a Barangay Captain , a business entrepreneur ( he runs and owns an accounting firm in Bacoor Cavite- Manlapas Accounting Office), a family man and a band member, all at the same time. “I am a five-termer Barangay Captain and I guess I am doing something good for the people of my enclave”, declares Kap Louie, who has been serving his constituents since 1995.
Having grown all his life in Barangay Real 1 Bacoor Cavite,  (the reason for the REAL 1 BNK in the band’s name) Kap.Louie also restores vintage motorbikes and vehicles as his past time. “Hilig ko lang talaga mag restore. Either for personal collection or for car shows”, says Kap Louie. Despite his busy schedule, he diligently fulfills his work and finds time for his constituents with his community projects, seminars, outreach programs, feeding programs, rescue operations, and the like. Just recently Mayor-elect Lani Mercado-Revilla ( wife of Sen.Bong Revilla) of Bacoor Cavite invited them to perform in their town fiesta. “It’s not everyday that the mayor of your town would handpick your band to perform in a major concert for the people of Bacoor”, musters Kap Loiue.
Real One BNK performs regularly at Tirona Grill every Monday & Terabites Restobar every Thursday. Both are located in Bacoor Cavite. They cover genres from all aspect.; Rock, Ballad, New Wave, Pop, and Pinoy Rock as well.

Sunday, June 9, 2019

Bijei Bufete


BARBARA JEANNE BUFETE PONCIANO– Michelle Branch of OPM.
Nowadays, being a songwriter and an accomplished guitar player with a degree in music is not as cinch as it may seem. “It started when I was just a little girl, my dad, Tonie Bufete of the TNJ fame (in the 70’s), would always play on our record player albums of The Beatles, Santana and Queen everyday of the week. I took up voice lessons early on and picked up the guitar, i discovered my love for songwriting as well”, narrates Barbara.
Growing up in Manila and Parañaque, Barbara wouldn’t be the only other musician in the Bufete household, his other siblings too. “My two brothers plays the guitar and the other plays the piano. Then my eldest sister plays piano and sings as well”, says Barbara.
Bijei, as she is fondly called by her friends and family, started to write songs when she was in the 5th grade. And after high school, she knew what to take up for the furtherance of her passion in music. She took up Conservatory of Music in St.Scholasticas College and majored in Voice.  Eventually, she would work in the music industry and would be involved teaching music as well. “I had worked at Music Master as a Voice Teacher, owned by Jimmy Antiporda of the Neo Colours fame”, reminisced Barbara. Currently she is a Voice Teacher at ‘School Of Rock’, a U.S. franchise stationed here locally.
She have written & performed a commercial jingle for Bambini Cologne and have written and performed songs for two films, ‘My Valentine Girls' from Viva and ‘RPG Metanoia’ for Star Cinema. Her last work was for Kylie Padilla, which she wrote a song. Also, she was given the opportunity to write two songs for Julie Anne San Jose. “I wrote BAKIT NGAYON last 2014, and luckily, it  was nominated for ‘Song of the Year’ at Awit Awards and Yahoo Awards, fortunately the song won at Yahoo Awards”, marvels Bijei.
People would often tag her as Michelle Branch of OPM due to the resemblance in looks and voice. This modest and youthful looking mother of two boys will be turning 35 years old this April. But she does not look her age. “I get that a lot, one grandma of my student thought i was only 19 years old”, quips Barbara who happens to be a practicing minimalist.
On Tonie Bufete as a dad, “He was my greatest musical influence. A very cool dad. My mom and him would encourage me to pursue my interest in music. And they would attend our band Persephone perform almost always”, says Bijei. In Persephone, she sings, write songs and plays guitar too. They have two digital albums on Spotify and iTunes under GMA records. So look out for Barbara Jeanne and her band Persephone and experience her music. 

Thursday, June 6, 2019

Road Abutin


ROAD ABUTIN The Road To Music

There is this song by Jackson Browne in the 70’s from the his seminal album ‘Running On Empty’ entitled THE ROAD. The song gives importance to the production crews, soundman, light man, production assistants and like, without whom, a concert gig will not material. Same goes for Road Abutin of San Roque, Cavite City, his contribution to the local and international music scene cannot be ignored.
“I was born and raised in Cavite City. Studied Aviation Electronics & Communication in PATTS College of Aeronautics in Pasay, graduated and continued studies in Philippine Merchant Marine School in Las Piñas with a course of Bachelor of Science in Marine Transportation, graduated, worked and took Recording Engineering and Music Production in a Recording School suburb of Columbus Ohio”, explains Roderick Abutin.
Road’s success story did not come that easy. When one would try to scan his achievements and contributions in the music field on paper, one can surmise that  he has enough experience good for 10 persons! He is a Professional Musician, Technical Adviser, Head Sound and Light Technician, Theater Sound Engineer, Audio Specialist, Technical Manager, Entertainment Technical Head of Operations, Entertainment Technology Manager, and the Owner and Managing Director of his own company RACKTRACK ARTS & ENTERTAINMENT. Along the way he has, to name a few, worked with prominent musical personalities here and abroad; Herb Reed and The Platters, Bill Pinkley and the Drifters, Mark Preston of The Letterman, Peter Noon of Herman’s Hermits, The Fifth Dimension, Bowzer of Sha Na Na, Jacqui Scott of Evita, Judy Garland’s hdaughter Lorna Luft, Marty Allen, The Happenings, Lenny Welch, JJ Downs, the Foundation. But his most prized friendship and collaboration would be none other than Juan Dela Cruz. “The closest would be Pareng Wally Gonzalez, as he is the godfather of my daughter. Pepe Smith and Tata Mike Hanopol are also among my close friends. I had the honor to host and have them stay in my place for their gigs or vacations both in Singapore and Macau”, marvels Road.
His technical skills in the recording field had yielded him enough experience to be considered the top brass. “I acquired my recording, engineering and incidental skills and techniques from Matt Curry who happens to be the Audio Engineer of Metallica, Bon Jovi, Bryan Adams and others”, says Road.
Road was the original bass player of the band ‘Critical Amnesia’ which was formed by Kokok Parales in 1985. “Sadly, I have to leave the band due to a job offer in Los Angeles”, laments Road. 
Road’s diversified musical influences is as many as genre there are. “As much as I like rock the most, I do listen to any kind of genre. I have the weirdest playlist, as my friends say, as I have Black Sabbath, Chopin, Gloc9, Nirvana, Ruben Tagalog, Enya, System of A Down, and many more”, confesses Road.
Road’s offsprings is also involved in music. His daughter, a music teacher in the day and a musician by night, and his son is the production and stage manager of concerts and performances, both in Singapore.
An accomplished man in his stature, In his nearly 40 years in the music industry, he is a multi instrumentalist. He plays the guitar,  bass, drums, the keyboards and the ukulele. Road had been to 58 countries, thus far. Asked when he will slow down? “No plans in the immediate future and will probably be involved in music until my last breath!”, declares Road. As of now, i am enjoying the fruit of my labor and it is relaxing to me to run this business.
Road’s ROCKTRACK ARTS & ENTERTAINMENT produces shows, concerts and performances covering technical, stage management and production. Audio and lighting rentals. And many more pertaining to music.

Ezzy Monzon


Ezzy Monzon - Rock Flamboyance Personified

Poison, Motley Crue, Kiss, Bon Jovi, White Snake are some of the bands in 80’s that ruled the airwaves back then. Glam rock, as the genre suggests,  can be seen as a fashion as well as musical subgenre. Very few, in fact-none can one recall thus far, such act in the Pinoy Rock can be attributed for this genre except with Ezzy Monzon.

What is it with Caviteños, that they are so identified with Rock music? “Passionate ang Caviteño pag dating sa Rock Music, ever since naman very famous na ang rock music sa Cavite because of the influence ng Americans in Sangley Point, Cavite City” , muses Ezzy. He was born and raised in Imus Cavite. He has been doing stint with various local band.
“As lead singer and song writer, one of my ardent dreams and goal is to form a band which will cater for what i love most”, adds Ezzy. There are a lot of Caviteño musician that enhance their talent because American culture. “Everytime i see Kiss in their videos, it means a lot to me,  parang gusto maging kagaya nila”, reminisces Ezzy. That was the turning point in Ezzy’s life. “Sa Glam Rock talaga ako namulat, din ako na expose in that kind of music since when i was in highschool in mid 8O’s”, says Ezzy.

In the summer of August 2010, Ezzy formed a band called ‘SS 109’ after a type of ammunition that ia known to penetrate steel. They got their inspiration from Poison, Motley Crue , Kiss and other 80's old school Rock and Roll to make catchy melodies, good quality music and lyrics. Ezzy's raspy and somewhat croony vocal adds to the flavor of the music. After sometime the group reformed and change the name into EZZY ROCK. Early setbacks made Ezzy frustrated and decided to divert his music career into a real estate for several years. However, he realized that he still wants to pursue and give the band the another go . Ezzy Rock experienced ups and downs like any normal band, thus the current line up is the 3rd generation. EZZY MONZON(singer and songwriter), JUN PINEDA( Bass Guitar), RICHARD SUNGA ( Lead Guitar), JUN GONZALES ( Drummer) and EARL ARCILLA ( Rhythm Guitar).

He decided to launch his album for the 3rd time around. Again, he started to regroup and form a new and potential members. In 2018, EZZY ROCK formed a new members coming from other signature local band to continue for what the band started to make noise and bring back the old school Rock and Roll heavy metal in the music industry.
EZZY ROCK already released their first MTV last January 05, 2019 called "HEADBANG". The Band started to promote their Album thru some Events and Bar tour around Metro Manila, Cavite and even in Pampanga region.

Last Mar.23,2019 Ezzy Rock wowed the Caviteños anew along side Wally Gonzalez in a tribute gig for Pepe Smith. And with their flamboyant get up and the signature leather pants of Ezzy, they will definitely rock your socks off.
“Glamrock is really fashion and music rolled into one. Especially when it comes to live performances. Kung baga, talagang pinaghahandaan..we put a dab of make up to enhance out facial features. Our best rocker dress ever had…iba pag may character? Mga costumized lang ang costume namin and the the rest dept store lang”, finishes Ezzy. 

Groundstage


GROUNDSTAGE
Like  a Phoenix's rebirth from its ashes, Groundstage mimics this persona. Bourne out of remnants of Bacolod's Battle Of The Bands, the current members were from different bands from that time. In 2015, Jericho's father, his biggest supporter and fan passed away. His life ran in turmoil and dove into the depths of dakness. A sponsor came to his rescue and invited him over in Imus,Cavite. The gamble to relocate paid off when he was asked to front in as many bands as he met. But his heart is into songwriting, which the bands that were inviting him to front did not sit well with. Since Battle of the bands is his forte, Jericho asked some former band mates to try out their luck here in Manila. They lost that battle but the group stayed on for good. With no budget and a place to stay, Katherine Lindell, a.k.a. Toni Tonic, sponsored, accomodated & pampered these guys from Bacolod to stay on for good in Imus Cavite.
Their current lineup; Jericho Tanique  (vocals-writer/composer), Marc Anthony Alvarez (bass), Junaray Flaga (drums) & Nathaniel James Perdeguin (guitar/arranger). They had a fifth member (Jelouie) who went back to Bacolod for personal reason.
They have 3 songs on Spotify (HAGOD SA PAGOD, PANGARAP & A GAME CALLED LIFE). Come February or March this year, their seminal album will be out in the market. If they sound like Razorback and Wolfgang combined, don't be surprised, they are heavily influenced by these bands. The name of the band somewhat reflects their personality says Katherine Lindell, the band's reluctant band manager, whenever the band is onstage no matter high it is,  they will remain grounded. Thus the name GROUNDSTAGE.
Their songs reflect on life and reality. I happen to witness this band perform, and i kid you not, this band will go places. A friend of mine from New Mexico-Dondi Abalayon-described Nathaniel's style of guitar same as ACE FREHLEY of KISS. Their 35 plus gigs in and around Metro Manila since have honed their skills to the T.  Currently, they signed with an entertainment outfit who happens to be a former Viva Records songwriter. They guested in JAM88.3 last December courtesy of Allen Trece. 2018 They are fresh, robust and plays with angst of reality. They are GROUNDSTAGE!

Beebop Smith


Beebop Smith Like Father Like Son
















Most father would want their offspring to follow his career path. But not Pepe Smith. Pepe expressed his wish for Beebop not to follow his footstep.
But last March 23, 2019 – that wish was breached. Beebop Smith, personified Pepe Smith on stage. It was the 3rd Installment of Pinoy Rock Summit, Rhea Lipio, hinted the idea of Beebop taking the stage as a singer. Beebop actually is already in a band but only as a guitarist. “Kinakabahan ako, ngayon lang ako kakanta”, quips Beebop. This tribute gig was graced and supported by local bands namely; ACID BAND, TUMBLING DICE, ANGAS NG MANDALUYONG, MUD, EZZY ROCK, GROUNDSTAGE, THE DIABLONG BUANG BROTHERS, KWADRO and WALLY GONZALEZ.

The event was staged at the Junkyard Imus and the owner of the bar was kind enough to lend the place. Leo Blanco and Thor ilano, have been supporting Pinoy Rock since time immemorial.

True to Pepe’s antics and form, Beebop carried his tune in singing signature songs of his father; NADAPA SA ARINA, ROCK N ROLL SA MUNDO, and the hip HIMIG NATIN. Road Abutin, Managing Director of Rock Track Arts and Entertainment in Cavite City said “That 8 and a half-minute Himig Natin song had us mesmerized. And with Wally Gonzalez on the guitar, nothing could go wrong”. True enough, Beebop explored his father’s musical limbo. He even cracks jokes on stage just like Pyaps, “Pa, para sayo iong gig na to, mamaya kita tayo”. Mid-way to Himig Natin, Rosuela, Beebop’s mom and Pepe’s wife is in tears. “Hindi ko mapigil umiyak”, she confided to me. She stood up and walked away from near the stage where we are all are and sat at the back of the bar.

Everyone was emotional at that moment. Why wouldn’t they, it was the same spot where Pepe Smith performed last. “Dito ako tatayo, kung saan dito huling tumayo at nag perform si Papa”, remembers Beebop.

The music that night, had everyone cheering and enjoying everyone’s company. Wally follow suit with his signature WALLY’S BLUES instrumental. Peter Mendoza III, one of the Organizers as well, thought the event was a success. “Ang mahalaga- lahat tayo masaya, and we are thankful to all the bands who offered their talents to perform for free! Special mention of course to Mr.Wally Gonzalez, ang husay mo bro, walang pa din kupas!” says Peter.
I ask Beebop of his performance that night, “Konting hasa pa siguro, hindi ko talaga forte ang kumanta, buti andyan si Spanky Esquejo-long time friend at bassist ni Papa to assist me sa vocals, but for Papa’s tribute game ako.” Finishes Beebop.

Manny Cordero


Manny Cordero THE OLDER THEY GET THE HARDER THEY ROCK

During the heydays of the 70’s, Olongapo City is the place to be if you want to be an up and coming band. It was in Olongapo City where the US servicemen are stationed as well. That is why American music is such a big part of the Pinoy Rock culture.
One of many bands that perform in Olongapo City is Frictions Band. MANNY CORDERO, the only original member of the group is the lead guitarist of the band has just turned 70 very recently.
“Actually this Friction band now is 3rd generation na. Since I was the original lead guitarist of the Frictions Band, I have to continue and pursue music and entertain the populace.” Manny Cordero is now based in Angeles City Pampanga.
“This new Friction Band was reformed more than a year now. We do some original stuff. And do some cover tunes from 70s Rock and vintage  blues. We have to please the crowds. From old school Rock, Blues, And include heavy metal rock. The members line Up are Manny Cordero  guitar, Vocals Lester Johnson, Bass. Jerome De La Torre, (Cousin of Jograd dela Torre) and  Drums  Harry Smith (Brother of Pepe Smith of Juan de Cruz Band)”, adds Manny.
Partly, what inspired Manny in writing songs were the Beatles.  If you go to YouTube and  log in to Manny Cordero Friction band. All his originally-composed songs would hint a tinge of Beatles.
As owner of STREET CORNER BLUES BAR in Angeles City, you are all in for a treat with original Pinoy Rock music and then some from Manny Cordero and THE FRICTION BAND.
Having travelled as Frictions front man in Vietnam, Japan , Guam, Thailand  helped honed the guitarist he is today. After a hiatus with the old Frictions Band Manny went to Bahrain and stayed there for almost 29 years working as music instructor and as Audio Engineer.

Ben Yanto


Ben Yanto PINOY CLASSIC ROCK FOUNDER BEN YANTO: THE ROOT OF PINOY COMBO

Pinoy Classic Rock sounds like a genre in music, but it’s not. Meet Ben Yanto, musician, businessman, and the man who created  PCR or Pinoy Classic Rock.

 “My first encounter with music was during my elementary years in the 50's. The movie "Rock Around The Clock" and those "Elvis Presley" films were major influences. I also had a 4th grade classmate who played the guitar, and i was simply amazed and developed a liking towards musical instruments.” Relays Ben reminiscing. Born in Paco, Manila but raised in Pasay and Makati, where he spent his adolescent years, life was going smooth for Ben as a budding teenager. But then, the whole family immigrated to Guam in 1964 when he was 14 years.

“My first band was formed in high school. It was during the 10th grade that me and some friends on Guam created the band "Jaguars." We were the type of band that skipped school just to practice because our parents were not supportive of it. In fact, I got caught by my parents once when i was practicing at another relative's house.”, quipped Ben. Ben stayed in Guam for 5 years, graduated in high school in Guam in 1968. His band “Remains” was popular back then until he got drafted in the US Army around March 1969; he was just 19 years back then.

“The musical genre i play mostly include oldies and classic rock. In my younger years, I used to play in parties and military bases on Guam. In the 70's and 80's, i only played for Filipino cultural events because of the identity movement going on in the States. During the later years, i was playing only for leisure. Then the internet became a sensation in the 90s which inspired me to reach out to other people who also love music. Little by little, i got to connect with various musicians.”, relays Ben who is now here in the Philippines on a permanent basis.

Pinoy Classic Rock (PCR) was born in 2002 through the internet. It used to be just an “E-group” at that time. It was made to connect to Pinoy musicians of the 60's and 70's. During that time, there were Pinoy  Jazz and Pinoy Rock groups but none for the Classics and oldies music gender. Rock N Roll is the root music of the Babyboomers. It was supposed to be called Pinoy Classic Rock N Roll but Ben Yanto thought it seemed to long so it was shorten to Pinoy Classic Rock (PCR).

During the mid-90s while Ben was still in Indiana USA,  internet has opened up worldwide & that’s when he started making friends with other Pinoy musicians in the US, Canada & in the Philippines. “The concept of PCR took place around late 90s while I was watching VH1 ‘Where Are They Now’ (regarding popular bands of the 60s & 70s) in mainstream music industry in US & internationally. Then I started thinking as to what happened to the Pinoy combos of the 60s as well  as Pinoy bands of the 70s.”,confides Ben.

“PCR is now a vital part in the music community not only in the Philippines but also abroad. Moving forward, PCR hopes to keep on reuniting Pinoy Musikeros. Whether from the old generation or new generation of music, everyone is welcome. Of course, it is still important to reunite the “Musikeros” of the 60's and 70's because time as we know it is catching up to our old age.”, declares Ben Yanto who just celebrated his 69th birthday last November.

I had the privilege of being invited on a number of occasion at PCR’s “Reunion Jam” every January of every year. The atmosphere is very brotherly. The food, the live music and the hospitality of the members are overwhelming. Now on its 17th year, PINOY CLASSIC ROCK will turn another leaf come January 2019. Here’s to another Rock n Roll year ahead!

Mabuhay ka Ben Yanto!

Tonet Fabie


Tonet Fabie – Homegrown Talent

Like any legendary musician, Tonet Fabie’s humble beginnings paved way for a splinter group that evolved and carved a name in history.

Growing up in Pasay City, Tonet Fabie was exposed to the right kind of blend of music and company. “My neighbors Glenn and Vaughn Velasco influenced me greatly”, narrates Tonet. Together, they formed The Deltas, active in music from 1963 to 1968. It was Tonet’s christening moment as  a musician. “When I was with the Deltas, amplifiers and bass guitar were not that plenty in the market, and way too expensive too.. so I used a radio as my bass amp ...and my six string's guitar is converted it to four strings that's how I started playing the bass” chuckles Tonet.

In 1965, Tonet left The Deltas and formed The Downbeats with Eddie Reyes, Tony Jalandoni, Charlie Meileib and the late great Joey ‘Pepe’ Smith. The Downbeats was already going places like Clark Pampanga, Hong Kong and Guam, when in 1966, the group noticed that their drummer would be better suited in singing upfront than sitting down with the drum set. “Joey Smith was initially our drummer and vocals. Buy we thought he was getting much of his great talent out , so we got   Eddie Reyes our manager to play the drums (initially playing the keyboards)...and Pepe gave all what was holding him back there in the stage”, says Tonet.

The much talked about historical Manila Beatles Concert last July 04, 1966 was sort of a peak in their career. “The Calvacade International was our promoter at that time. Incidentally, they were the same group who promoted the Beatles show in Manila”, remembers Tonet. If you think that was the biggest thing that came for The Downbeats, wait til you hear Tonet’s story. “When Tony Jalandoni and Charlie Meilieb left the band  in mid of 1967, Wally Gonzalez and Mike Hanopol filled in as two guitar players”, recalls Tonet.

But it was short-lived. By early 1968 they left their management and changed their name to ‘Mother Earth’. “The group were still intact; Pepe, Wally, Mike and me, until our split in late 1968 and all the members went their own ways; Wally worked in his brother’s office for a while and shortly thereafter, eventually formed Jungle Cats and then Juan Dela Cruz band; Mike went on to jump from one band to another like, Bulwarks, Chetniks, Jives, Glenmores, Zero History ; and Pepe went to Japan and formed Speed, Glue and Shinki”, remembers Tonet.

The Downbeats recorded two original songs which hit the charts. "It Won't Be Easy" written by Tonet Fabie and "You Gotta Tell Me" by Joey Smith. The former even managed to land on #2 in Hong Kong.
“My style in playing the bass is just like filling up most of the notes and in rhythm with the drums. One for All / All for One... bring out the best potential of each band member”, says Tonet. Ventures, Shadows , The Rolling Stones, Hendrix, Grateful Dead, The Doors are some of his influence in playing.

After The Downbeats, Tonet called it quits and worked for San Miguel Corporation.
“Now i am back to my song writing and I have a couple already”, muses Tonet. By April, Tonet will be 74. He enjoys gardening and, of course, loves to play the guitar. “No more band for me, I had enough of the night life”, finishes Tonet.

Arnel Dayrit


Arnel Dayrit A Pinoy Rock Gem

“Pag gising sa umaga, hanap mo'y almusal….
Kape na may asukal, gatas at pandesal..
Tugtog na Rock n Roll ay lagi kong kasabay..
Kumpleto na ang araw at tayo na't magsaya..
Mag rock n roll..Rock n roll..Rock n roll…mag
Rock n Roll sa umaga…mag
Rock n Roll araw araw.”
-ROCK N ROLL ARAW ARAW

Nope, this is not an oldie song. This is a brand new song.  It may appear like a song from Juan Dela Cruz or Maria Cafra, because of the pure Tagalog lyrics, but I assure you, this is brand new…many would think this style of writing is outdated because nowadays songs sounds mushy, or it sounds Korean!

It’s a good thing there are still local artists out there that composes songs in Tagalog. Moreover, Pinoy Rock N Roll! Our Pinoy Rock n Roll world ended when Juan dela Cruz band disbanded decades ago. Not to disrespect a handful of Pinoy Rock Icons like Resty Fabunan, Lolita Carbon, Gary Perez, Heber Bartolome, and a lot more, who have contributed significantly in the genre. But the fact that, there is a miniscule percentage of artists and composers that would venture into the realm if writing songs in Tagalog and in a genre that is slowly dying… PINOY ROCK.

Before the Millennials forget what PINOY ROCK is enters Arnel Dayrit, who is born and raised in Angeles City, Pampanga. Angeles City is where the groove at in the early days.

For the past 30 years Arnel Dayrit's name isn't exclusive locally, but internationally as well. This seasoned veteran started playing at age of 18. Not as a hobby, but professionally. He has entertained US Troops in Okinawa and other parts of Japan. Not to mention his performance in Europe, the Mediterranean, Brazil and Las Vegas-where he has been a long-time favorite. He has also toured The Islands with the Royal Carribean Cruise Line-a world-class cruise ship who caters only to the affluent and the elite.

Notably, he worked with Mike Hanapol in the BUHAY AMERIKA in the 90’s in Miami,Florida- where he resides whenever he has an engagement in US.

His interactive style in playing his guitar, blends well in Classic Rock, Blues, Latin, Country-Western, Oldies, Pop and into any musical genre that everyone enjoys. Whether Arnel is performing for a crowd of thousands or to a number of beach army ( which he is renowned to throw an impromptu performance in Santa Catarina-Brazil), Arnel is fully equipped and very versatile with an extensive number of cover tunes plus some originals as well.

Currently working in his (first and overdue) album, with his inspiring powerful voice to boot, Arnel Dayrit's ensemble of cover songs number to the hundreds, from Santana to Satriani; from Van Morrison to Van Halen; from ACDC to ZZTop.

Now in the Philippines on a semi-permanent basis, Arnel Dayrit is ready to take his repertoire to the local entertainment scene and rock our socks off! Another of his composition is the comically titled "WASAK, WARAT, SABOG ANG PUSO KO". The title took me by surprise. Arnel explains what is it all about…
“Nagpunta sa Saudi, pag balik niya nangaliwa ang asawa at ibinenta ang lahat ng gamit nila. Yan ang story. Matatawa ka sa pamagat, pero nasa kanta ang story”. 

Currently, Arnel boasts of his very own band with his moniker- aptly called ARNEL DAYRIT AND THE BOYZ, consisting of Boyet Magbag on drums, Bong Magbag on percussions and vocals, Barry Cinco on bass guitar, Daryl Gustilo on vocals, and of course Arnel Dayrit on Lead Guitar and vocals. Prior to this band, he was a member of STEELERS BAND, FRICTION BAND, SAVAGE BAND and a lot more.

His recording studio in his posh house in Angeles City is where he is recording his long overdue album. When asked, what is the message he is imparting with the current songs he is recording.. Arnel quips..."Pinoy Rock is still alive, although it has age a bit, in a good way , that is. Madaming kabataan nowadays na akala wala ng Pinoy Rock. Pero andito pa din kami to propagate the genre." He explains further.... "...malaking influence sakin si Pareng Resty Fabuban of Maria Cafra, who is the forefront of Pinoy Rock in Angeles City. Resty took to liking my compostions. His name is even a part of one my songs."

GENRE: CLASSIC ROCK, HARD ROCK, POP ROCK, BLUES, LATIN, COUNTRY-WESTERN
INFLUENCES: CARLOS SANTANA/JEFF BECK
COUNTRIES/STATES VISITED AND HAVE PERFORMED: JAPAN, CANADA, HAWAII, ALASKA, LAS VEGAS,CARRIBEAN, MEXICAN RIVIERRA, BRAZIL

Sample Repertoire:

DEEP PURPLE/SMOKE ON THE WATER
JOHN COUGAR/HURTS SO GOOD
JOE SATRIANI/TEN WORDS
ACDC/ALL NIGHT LONG/HIGHWAY TO HELL
JAMES BROWN/I FEEL GOOD
SANTANA/SMOOTH/BLACK MAGIC WOMAN/FLOR D' LUNA
LYNYRD SKYNYRD/SWEET HOME ALABAMA
ZZ TOP/TUSH/LE GRANGE
VAN HALEN/PRETTY WOMAN
JEFF BECK/CAUSE WE'VE ENDED AS LOVERS
LOVER BOY/WORKIN FOR THE WEEKEND
ROBIN TOWER/DAY OF THE EAGLE
CHUCK BERRY/JOHNNY B GOODE
BEATLES/COM TOGETHER
STEPHEN WOLFE/BORN TO BE WILD
LED ZEPELLIN/IMMIGRANT SONG
BRIAN ADAMS/SUMMER OF 69
BILLY JOEL/YOU MAY BE RIGHT
DOOBIE BROTHERS/LONG TRAIN RUNNIN'
THE EAGLES/HOTEL CALIFORNIA
4NONE BLONDE/WHAT'S UP
ERIC CLAPTON/COCAINE/WONDERFUL TONIGHT
LOUIE ARMSTRONG/WHAT A AWONDERFUL WORLD

Resty Fabunan


RESTY FABUNAN
PLACE OF BIRTH: BALANGA, BATAAN CURRENT RESIDENCE: OLONGAPO CITY 
BAND: MARIACAFRA
GENRE: PINOY ROCK/ROCK N ROLL
INFLUENCE: ERIC CLAPTON/JEFF BECK/JIMMY 
PAGE/JIMI HENDRIX





The Vietnam War was already underway when 
Resty found himself on Magsaysay Ave. in 1963, guitar case in hand.  Subic Naval Base was an important R and R stop for American troops, and numerous nightclubs sprouted along Magsaysay and Rizal Avenues just outside the base, featuring Filipino bands playing note-perfect versions of Beatles songs, radio hits by the likes of Trini Lopez, and country-and-western songs.

Eventually, Resty left to join a group of younger musicians in a Beatles cover band.  They caught the attention of the manager of Ocean’s 11, a joint on Magsaysay Ave., who dressed them in Sgt. Pepper outfits and advertised them as “The Beatles of Olongapo.”

Resty recruited his brother Jun to play bass, and added drummer Rolly Averilla to form a new power trio.  He rechristened his band the Cyclones – a nod to the more progressive direction his music was taking – and took up residency in D’Wave, one of the premier Olongapo clubs.

They soon became the band to see in Olongapo, as word spread about their wild, raucous sets in which Resty tossed off Cream and Hendrix numbers with aplomb.   One time, after an American fan spiked their drinks with some unknown chemical, the band launched into an epic, nonstop jam that lasted eight hours, from 5 p.m. to midnight.

The Cyclones were bona fide rock stars.   Appreciative fans showered them with gifts, which often took the form of greenbacks, recreational chemicals or new rock LPs.  They were surrounded by groupies.The Cyclones also brought the hard-edged Olongapo sound to Manila, where Resty met cohorts like Joey “Pepe” Smith of the Juan de la Cruz Band and the late Edmond Fortuno of Anakbayan. 

By 1973, however, people were searching for a new sound.  The Juan de la Cruz Band had released “Himig Natin,” giving birth to what would eventually be called Pinoy Rock.  Resty was approached by two radio DJs, Howlin’ Dave and Bob Magoo, who asked him if he had any original material that they could record and play on their show, “Pinoy Rock and Rhythm,” on DZRJ.

In short order, the band was signed on by  Vicor Records, but did not put out an album for the trio.  Tunes like KAPALARAN, TAYO'Y MAG ROCK N ROLL, COOL KA LANG PARE and BUHAY GAPO, were only produced as singles. “Yung 1st album sa Jem dun kasama ang, KUMUSTA MGA KAIBIGAN, HATSING, TALA SA UMAGA, EXODUS. At iba pa.” relays Resty.
Thus,  Maria Cafra is born. “We were handed P10,000 cash each as as soon as we arrived in Manila to record our first album,” relayed Rolly Averilla. “Lahat ng music ng Maria Cafra, si Resty ang may katha.”, reminisced Rolly.

By 1975-76, Maria Cafra  was at the peak of its success.  Unfortunately, Resty’s rock star status also made him more visible to the wrong elements.  One night, after playing his usual club set, he was met by a Constabulary Anti-Narcotics Unit. They allegedly found Resty was carrying around two kilos of weed, some amphetamines and a balisong (fan knife). He scoffs off at the charges brought up to him whenever he remembers it. The charges were dropped eventually.  But not after spending the next eight months behind bars in Camp Crame. He had eight months of pent-up frustration to express.  The result was “Ikalawang Yugto,” Maria Cafra’s second album on JEM records. A version of the traditional song “Sarungbanggi,” hinted at Resty’s bluesier side. ROCK N ROLL SA TWINA is also included in this album.

Maria Cafra  soldiered on, but Resty’s heart wasn’t in it.  It wasn’t just the music that had changed, however.  He had, too.  The endless grind of doing cover versions night after night, the Gapo musician’s bread and butter, had taken its toll.  He was burned out. He started a family, and was putting more and more of his energies into running the club he had started, the El Grande Mug Haus. 

He is surprisingly trim and energetic for 70, a fact he attributes to regular exercise at the gym and a largely vegetarian diet. Resty is as amazed as anyone at the return of Maria Cafra, after a hiatus of more than 20 years. “Napaka swerte ng mga bagong banda ngayon, dahil may internet na, may social media, kung meron sila gusto ipadinig sa tao, isang pindot lang OK na. Hindi tulad kung araw, aakyat pa kami ng ilan floors buhat namin yun gamit namin, gitara, drumset ni Rolly, mga bapols (speakers) na malalaki para lang madinig yun musika namin.” laments Resty.
He adds that, name recall is a hard find now in the local music scene, “Napakahirap gumawa ng pangalan ngayon sa larangan ng musika, kaya payo ko sa lahat ng gustong mag banda, alagaan nyo ang pangalan nyo.”

Jun Fabunan, Resty’s brother and Maria Cafra’s original bass player, died of a heart attack in 2002.  As strange as it may sound, he died on stage, jamming with a group of doctors. “Akala namin naiihi lang si Papa, kase hawak nya yun lower extremities nya, yun palace heart attack”, declares Dennis. It was Jun’s son Dennis, who had followed in his father’s footsteps and had been the bass player for many groups now, who was instrumental in luring Resty back from retirement. After a brief search for a bassman when Dennis opted to refine his musical prowess, and ventured elsewhere, enter Raul Clemente, a seasoned guitarist and bassist in the local music scene.

Today, Resty is eager to get back in the groove.  He can still outplay musicians a third his age, and he can still write songs.
BARNONE!

The Junkyard Rock & Blues Bar

Brash. Brute. Brawn.
These words normally describe your usual hole in the wall bar. But in Imus, Cavite The Junkyard Bar is far more different than the casual bar.
Conceived as a community bar last 2013 by Thor ilano and Leo Blanco, these true-blue Caviteños from Imus, co-owners and partners, are burnt from their usual 9 to 5 jobs and had to address their stress and at the same time manifest their love for Rock N Roll music. "There isn't any establishment in Cavite that showcases the concept of a Bar to our taste of music and ambiance, so we tailor-made one right in the heart of our neighborhood", addresses Thor. The new location in Nueno Ave. in Imus, is conceived to cater for special occasions, like parties, anniversaries, and the like. Thor explains the bar is not the usual, open every night bar. Jeric Aquino of Madfish fame from the 90's christened the bar "The Junkyard".
"If companies, organizations, groups would want to utilize Junkyard for their private parties, fundraising event, or just plain enjoy the night with friends with good music and food, THE JUNKYARD ROCK & BLUES BAR is the place for you." added Leo Blanco,the other half of Junkyard's owner-operator.
The place is cozy. Don't take my word for it, you have to be there to complete the experience. Being there is like relaxing in your own house. The Junkyard's 200-seater bar have friendly staff, the food is warm and delicious, the ambiance is cool. The bar is adorned with display of 70's to 80's memorabilia sprawled neatly overhead. Like VHS tapes, old guitars, a trombone, vinyl records, cassette tapes, an army uniform...i mean really old stuff.. things you could only see in Google and not see in our everyday grind. "Safe dito mga pare, secure ang place at walang hassle", declares Thor. I wasn't sure what that meant, when this writer, after visiting one time, left a Levi"s Trucker Jacket in the bar's comfort room. Thinking it was gone forever, i messaged Thor about it and half-assured that someone must have found it. Later that day, my jacket was delivered to my workplace courtesy of Thor. That's how safe The Junkyard is.
The Junkyard Rock and Blues Bar play hosts to a number of recording artists in the music scene; Resty Fabunan and Maria Cafra, Dong Abay, Gary Perez, Jograd deka Torre, Heber Bartolome and Banyuhay, Wally Gonzalez, Maegan Aguilar, Razorback, The Youth, Slapshock, Green Dept, The Chongkeys, just to name a few. Just last Dec.21-Pepe Smith and Mike Hanopol graced the bar anew via FAMILIA MUSIKEROS CHRISTMAS PARTY JAM. A slew of seasoned and new bands were featured that night;
Tonie Bufete with The Acid Band-the 70's band still got juice in as far as performing is concerned; 
Ground Stage - a quartet rock and blues band from Bacolod with Jericho(vocals) Naghaniel(guitars) Marc(Base) & Junaray(drums) as their members. These kids have a future in the rock scene;
Wally's Fussion - with Walter Joson on base, Reggie Mendoza on lead;
The Diablong Buang Brothers- with Bidon Guevarra, Bong Solis at the helm;
Faded Blue Group - provided some classic and standard rock music that night.
Pepe Smith performed one set of explosive song lineup of classic tunes like BEEP BEEP, ROCK N ROLL SA MUNDO,TEACHER'S ENEMY #1, and the classic HIMIG NATIN. He was emotional during the last song's performance;
Mike Hanopol perfomed with his new mini acoustic nylon guitar which he refers to a GUITARLELE courtesy of Perf De Castro. The ever-jolly and smiling Mike Hanopol performed some of his hits with a twist. The intros to his songs is like a seance in a psychedellic hold. Old tunes like LANGIT, NO TOUCH, KAYABANGAN, MR.KENKOY & LAKI SA LAYAW were chanted by everyone in the bar.

Wally Gonzalez



Wally Gonzalez - UP IN ARMS

Like many movement or entity, a sort of meme or slogan is a must for that movement to have a purpose. A goal. A drive.

In the case of Wally Gonzalez (Walter R. Gonzalez in private life), guitarist par excellence of the legendary group JUAN DELA CRUZ, the term UP IN ARMS, has been a journey and a destiny rolled into one. Wally Gonzalez, the guitarist dubbed as the “The Quiet One” of the Juan Dela Cruz, was hospitalized months prior. A considerable sum of money was needed to rectify his well-being. An overwhelming pour of support  ensued, soon after word got out that Wally has in dire need of medical attention. And the operation was a complete success. Pneumonia was the culprit for his suffering., and was in dire need of medical attention during mid-September of this year. His son, John G. Gonzalez initiated a GC in FB to raise awareness for the 68 yo guitarist. Some notable personalities came to heed the call like Resty Fabunan (Maria Cafra),  Dudee Alfonso, Mon Malana, Charlie Soler, Bing Pascual, Emee Fortuno (spouse of Edmund Fortuno), and lots more. Together with Juno Paredes, the Fund-raising Jam was formed.

Incidentally, “UP IN ARMS” is the title of the very first album Juan Dela Cruz had. In 1968, Edmund Fortuno with Bing Labrador, Alex Cruz (father of Ira Cruz) and others, formed the band. Initially called JOHN OF THE CROSS, it was Mike Hanopol (in one if their chance encounters), who suggested to Edmund Fortuno to “Tagalized” the band’s name. Thus, the name JUAN DELA CRUZ BAND. I tried juxtaposing myself into listening to the album, and I could fairly assume, I was listening to BIG BROTHER HOLDING COMPANY with a bit crossover from DEEP PURPLE. “But personally my main influences are Eric Clapton, Moody Blues and Miles Davis…” adds Wally. The album may not be a commercial success (there were no official re-issue of the album locally), but the critically accomplished album -musically, that is- is a must for all Pinoy Rock lovers out there. The seminal album runs only a little over 30 minutes. But those 30 minutes will take you someplace else. The wailing guitar of Wally will be recognized nonchalantly. Of the original JDLC and sessionists who were involved in the recording of this seminal album only Sandy Tagarro, Clifford Ho, ,Rene Suqueco and himself are still around.

Come December 29, 2018, Wally is hosting a party jam in thanking everyone who helped get over his predicament, those who helped tangibly or intangibly, will be treated to a Super Jam with notable artists and bands. Onelia Gonzalez spearheaded this “Thanksgiving Jam”. The Diablong Buang Brothers will be headlining to spur this spectacle. Mon T. Malana the PINOY ROCK AND RHTYHM FB Page guru will be playing as well. Other notable Pinoy Rockers who will be joining the hoopla are; Razorback, Wowee Posadas (who also played for a while for JDLC), Joko Reantaso (Fender Philippines brand endorser), Cowboy Santos (Genaration), Marc Abaya ( formerly of Sandwich and Kjwan), Kat Agarrado (Sinosikat?), Ira Cruz (son of Alex Cruz -Introvoys, Bamboo fame), Louie Talan, and about a dozen more. The event will be hosted by Ms.Kat Maraña. Show starts at 8.30pm. 19East Bar at Sucat will be hosting the event. Tickets are pegged at PhP300 at the entrance. As a special treat to early ticket buyers, the first 100 ticket buyers will receive a commemorative guitar pick from Wally Gonzalez with his name on it, plus they will be qualified to a special raffle with a special prizes up for grabs. Proceeds of the Thanksgiving Jam will be used partly for the continued rehabilitation and medication of one Wally Gonzalez. So come out and pass the hat for this magnificent guitar player of JUAN DELA CRUZ.

Tonie Bufete


TONIE BUFETE’S MUSICAL JOURNEY

If it wasn’t  for the perseverance of and inclination to reinvent the sound of guitars in the early 1940’s, we wouldn’t know what would become of our present-day guitar heroes and guitar gods, so to speak. Tonie Bufete, is one such disciple in terms of Folk and Rock music in the country, during its heydays in the 1970’s.

“My inclination in music came from my mother and her siblings. They are really good singers”, declares Tonie.  Born in Manila, his father worked in Esso in Pandacan back in the days  when lots was offered in Balagtas area. His musical journey started when he was in elementary, he would willingly offer a song or two whenever there is a program in school singing “My Prayer” and “Twilight Time” by the Platters. “When the Association and Zombies songs flooded Manila airwaves i started to learn the guitar courtesy of my cousin Francis Albaniel who i joined my first taste of Japan in 1969 to 1970,  i was only 15 years old then so my Father had to sign a parental consent for me to be able to travel”, marvels Tonie of his  first gig.

Back home, after his Japan stint,  Acid band was formed, the original members were Ricky Frias on percussions, Cesar Frias on drums,  Willie Pineda on Keyboards, Tammy Marasigan on Bass and Tonie on lead guitar. They were regular performer every Saturday at “Stop, Look and Listen” in ABS CBN, hosted by Jeanne Young and Ricky Belmonte. The Acid Band was active from 1970 to 1972, when they were offered a regular gig at the Flames in Roxas Boulevard,  but since he was still pursuing his studies plus Ricky Frias and his family moved to Guam in mid 70’s the band disbanded. But in 1978 Tonie Bufete formed a classical folk rock trio called “TNJ”. TNJ (ala CSNY for Crosby, Still, Nash & Young) stands for the acronym of the first names of the member of the trio namely Tonie Bufete, Noli Aurillo and Joey Montilla. “Folk houses were in bloom that time; Bodega, Hobbit House, Kola House, Spindle, International Pub, Shakey's, Bachus, My Fathers Moustache to name a few of the places, are some of the watering holes we have performed to”, quips Tonie.  The trio also have graced some tv programs of Nora Aunor, German Moreno and other popular TV shows during that era.

“Freddie Aguilar's ‘Anak’ was enjoying a humongous following. Asin & Sino Band had just released their initial singles, respectively, when TNJ were also offered to record our original compositions," Ang Mundo" & "Kapalaran". But the trio disbanded abruptly. Everyone was in disbelief when suddenly we have to part ways in the peak of our popularity.” Laments Tonie, “Wala eh, hindi para sa amin yun time na yun.”

After this hiatus, Tonie occupied his time in venturing into different businesses, that would still be connected to live entertainment. He used to own a club in Manila that features live music. He also busied himself with other businesses and projects, but in doing so, this musical disciple still have the desires and drives to perform live for everyone.

Fast forward into today’s fast-paced lifestyle, Tonie and the rest of THE ACID BAND are back together again, romancing their first love; making music. This author had the opportunity to watch Tonie and The Acid Band live in a number of times, and believe me, there is no dull moment when  they take the stage and perform cover of Santana and other Psychedelic songs. The PCR (Pinoy Classic Rock-a group musicians that was merged by Ben Yanto) served as the comeback vehicle for Tonie and the rest of Acid Band to display their brand of music. A yearly event that happens every January since 2002, PCR had showcased most of the countries musical geniuses in the 50's thru the 90's and have no plans of slowing down in the near future. But for the first time in almost two decades, the PCR have temporarily halted all live musical performances due to the pandemic.

Post Script: On a personal note, Tonie is a very good friend. He is so down to earth and almost always speaks to anyone, even the ones he doesn't know. That's why it's impossible not to like his persona. He have this aura that is so radiant, you could almost see him wearing a halo above his head. A lover of music and food, especially if the food is a helping of a heaped bowl of 'Dinuguan'. His two daughters have followed his footsteps in the music industry, and made a name of their own. We hope to see more of you Tonie, in the days to come when live music is possible.

Stephen Lu

Stephen Lu – Journeyman of Pinoy Rock
The mysticism of the 90’s diversity in sound, interpretation and style created a culture where each band is a mentor to another.  Everyone knew everyone and supported each other’s music. Though unique in sound and identity, a 90’s band is part of one community, one family, and one culture.
When Stephen Lu first came out in the music scene in the 1980’s, he was in a rockabilly band called the Runaway Boys, named after the song by the Stray Cats.
“I started out my musical journey with the ‘RUNAWAY BOYS’ in UP DILIMAN, as a freshman back in 1983. As a young boy growing up in different places in and around Metro Manila, I was exposed to Sunday “tagay” and the fancy I acquired with jukeboxes and JINGLE magazine”, remembers Stephen.
The group, then enetered a TV Punk Band contest, and ended up as  a runner. “We used up the prize money to record. After about a year or so, I left the Philippines to accomplish my college education in the US and further got exposed to rock music and totally enjoyed watching live concerts of the artists I was exposed to on MTV”, Stephen reminisces.
Upon his return to the Philippines by 1990, ‘Stiff’ had aspired to take the music more seriously, paying their dues, performing 3 sets a night and 3 nights a week in the gig circuit in Metro Manila, with the occasional out of town shows. The seasoning provided by watching his elder brothers in the business, namely COCO JAM, JUN LOPITO, THE JERKS & several others really fine tuned his craft until the dawning of THE RIZAL UNDERGROUND, established during the release of ALERT LEVEL, an indie compilation album featuring unsigned bands TROPICAL DEPRESSION, COLOR IT RED & THE BREED
“Surrounded by the most talented songwriters/musicians, we were able to generate a successful bout in the underground until we were signed by POLYCOSMIC RECORDS, and eventually the “SABADO NIGHTS’ phenomenon. Our music finally hit the airwaves which brought us to the farthest reaches of the Philippines and thus fueled my thirst to travel and perform in some of the most exotic destinations in the country”, relays Stephen.
When the year 2000 came, Stiff kind of semi-retired upon the birth of his 2 kids but somewhat came back around 2008 and has since have performed the rounds of beach destinations like Puerto Galera, Boracay, Coron & Siargao. Armed with a new band with a newly-formed outfit called the ROCKOUSTIC BLUES EXPERIMENT. Initially, it was a cover duo, trio or band, but eventually releasing a CD as a full band, comprised of industry veteran members, in 2017, touring extensively in the country to promote the release.
“Currently, I have decided to pursue this journey as a SOLO artist, performing in destinations outside the Philippines. The first ever time of which was only last June of 2018, when I embarked on a US tour to promote the ROCKOUSTIC BLUES EXPERIMENT CD. It was such a successful and delightful experience travelling with my 2 teenage daughters, hitting the big cities of Los Angeles, San Francisco, New York and Houston. Although none of my family are musicians, they have keenly supported my musical journey specially during that tour”, marvels Stiff.
“As a musician, there is nothing more valuable than to be able to showcase the music in different places. And with the success of the US Tour with my children, I think someday they can share with their kids the experience and the modest success that I was able to generate during my lifetime. Taking musical journeys together and making people happy in the process”, asserts Stephen.

Rhea Lipio


Rock N Roll Sa Mundo -RHEA LIPIO
Pinoy Rock. A genre where Pinoy can relate and emulate their much revered musicians. But for Rhea Lipio, her music inclinations came in a paternal way. Early on, Rhea would be exposed to music. Growing up in Kalayaan Ave in QC. His father, the Detachment Commander of Luneta at that time, would turn on their stereophonic player and play FAITHFUL LOVE by Cezar Manalili almost always at 6am daily. “Asin, Banyuhay, Freddie Aguilar,  Juan Dela Cruz, Boyfriends , Hotdogs , Sampaguita, etc... madami pinapatugtog si Papa”, marvels Rhea.
“Masarap sa tenga, hindi nakakasawa”, quips Rhea. That started it all. Pepe Smith, at that time, lives in Kamuning also in QC, and they would cross path many times. “Si Pyaps talaga ang impluwensya ko ever since”, adds Rhea. “May bar dun sa malapit sa amin name BARKO, dun ako nakakakita ng mga musikero, one time nakita ko si Pepe Smith sumigaw ako ROCK N ROLL, sumagot naman sya at sinabi ROCK N ROLL din”, muses Rhea.
When she entered college, she attended a Rock Fest that featured Pepe Smith and his band Kwadro. She was eventually recognized by Pepe Smith and their relationship as music enthusiast grew even further. Pepe Smith was getting his chops back from a series of misfortunes from drug charges being dropped and changing hand in Pepe's management at that time. And just like any ordinary teenager, Rhea has her share of ups and downs. Relationship woes, substance curiosity, peer pressure, name it, she went thru it. She even manage to land in jail for a misdemeanor over a lost money which she happen to own. “Oras lang naman, hahaha”, relays Rhea. Music rescued her from all of these. She started to attend concerts and club gigs.
It was in this, that she found her calling. She met Gary Perez of Sampaguita and Anak Bayan fame. At that time, ‘Gorio', as he is fondly called by his peers, needed the break on his lumping career. Rhea produced an album for him and concocted numerous gigs and book Gary Perez as a  new package. Resty Fabunan of Maria Cafra is a close friend of Gary Perez. Rhea eventually organized  a number of gigs and concerts for Resty Fabunan and Maria Cafra. Her being a member if PCR (Pinoy Classic Rock) has spurned many acquaintances from the roots of Pinoy Rock. And in 2012, she heard and witness Cezar Manalili play FAITHFUL LOVE live.
“Hindi lang naman gigs at concerts, pag may need din ng fundraising help din ako..lalo sa mga musikero”, confesses Rhea. Rolly Averilla’s son (drummer of Maria Cafra) had an accident a few years back, and Rhea organized at least 2 fund raising concert for Rolly's son. One in Junkyard in Cavite and one in Metrowalk Pasig. Another recent fund raising is for a friend Lai Enriquez which Rhea helped run the whole program. “Masarap tumulong sa kapwa, lalo pag walang kapalit. Dun mo maramdaman yun tunay na pagka kaibigan”, advises Rhea.
Her “PINOY ROCK SUMMIT” series had been going on for almost 2 years now. So far, Pinoy Rock Summit went to as far as Angeles, Pampanga and Bauang, La Union and has a roster of talents to boast of;  MIKE HANOPOL, MARIA CAFRA, ARNEL DAYRIT & THE BOYS, DIABLONG BUANG BROTHERS. “There was a plan, before pa, para kay Pepe Smith, mga mid April 2019 sana kaya lang nawala na nga si Pepe. In that plan, we would include sana si WALLY GONZALEZ & MIKE HANOPOL, kaya lang now tribute na lang ang mangyayari”, declares Rhea. Now in its 3rd installment, Pinoy Rock Summit 3 will feature Wally Gonzalez as a tribute concert to Pepe Smith in Junkyard in Cavite.
“Kita? Wala sila alam”, answers Rhea when asked how much has she gain so far in organizing and producing these shows. “Passion ko ito pards, parang anak ko na din itong Pinoy Rock. Maliban sa 3 daughters ko itong Pinoy Rock ang baby ko”, attested Rhea. “We should give importance to the roots of Pinoy Rock artists, because without them wala ngayon yun mga banda na sikat, na alam natin lahat na impluwensya lahat ito ng PINOY ROCK!”.

Pepe Smith Last Convo

A FINAL CONVO WITH THE KING
December 12, 2018, 1830

It was about August of this year, when everyone in the Pinoy Rock Scene heeded the call for the medical assistance of one Jose William Feliciano Smith, or Pepe Smith, which has to be attended to immediately. Like a wildfire in an arid dessert, word got out thru the social media, and the virtual hat, was passed on to suffice Pepe's need. Six months prior, he suffered a minor stroke which led to the postponement of the greatly touted PEPE SMITH ROCKFEST.
On a recent interview in his new home in Cainta, this writer asked him..."Nearly 60 years in music...jailed for almost 2 years, 2 strokes, a vehicular accident... being part of many great bands like SPEED,GLUE & SHINKI... JUAN DELA CRUZ..you fronted for the Beatles...many albums... drug problems before...how would you describe your life in one word?". Without batting an eyelash...Pepe quips with a smile, " ROCK N ROLL!".
His ever-present friend and Bassman Richard Esquejo, "SPANKY" to his friends, rolls in laughter when Pepe narrates, "Etong si Spanky ang maasahan ko sa lahat ng bagay..kami na ang bagong "KALABOG EN BOSYO", referring to Edmund Fortuno when they started Juan Dela Cruz, ..."i missed him so much...", laments Pepe. Just when he's about to get teary-eyed he blurted out, "ewan ko ba bakit hindi pa nabubuntis si Spanky, ang tagal ko na kasama ito."
Contrary to many, Pepe is perceived a very carefree, comical and lively person in front of his fans, his soft sides shows and manifests whenever he recalls what happened to the Pepe Smith Rockfest last June. "I am just glad that, there are still people out there who appreciates my music and my contribution to the music scene." Nearly teary-eyed, he shove a spoonful of steamed rice and paksiw na lechon and gulped it down with coke. I asked him if he is ok, "ROCK N ROLL!", he blurted out.
"Three days pa lang kami dito lumipat sa Cainta, i have to transfer near sa hospitals, malls, food stalls and my friends...yun dati kse ang layo..pag may gig ako hirap bumyahe.." Pepe apologizes as to his house is still in shambles. His awards, Gold Record, guitars, amplifiers, paintings are still strewn about in their sala. He plays PS4 as i asked him when i saw his console in his room upstairs, I thought it was Beebop's. "Naglalaro din ako..nakaka aliw eh.. i play with Beebop whenever he is around." adds Pepe.
His musical taste has not changed over the years. He still hopes a reunion concert with his old buddies MIKE HANOPOL and WALLY GONZALEZ materializes. He only have high praises for his music-comrade: Wally is exceptionally good guitar player.. bow ako sa kanya..Mike is a prolific writer.. and a respected Jewish guru.. i would not mind playing with them again." His view on musicians entering the political arena? "As long as they can do it, why not. Trip nila yan eh. Walang basagan ng trip" , quips Pepe.
The June 02,2018 Pepe Smith Rockfest still lingers as a great musical extravaganza sans the respect of the producers. "Nahihiya ako sa mga bandang nag participate... there was collusion on the part of the producers...i will not delve into the details alam na naman ng lahat yan..Diyos na bahala sa kanila...dito mo talaga malalaman kung sino totoo mo kaibigan..when you are down and out and broke... i have survived many hardships and trials..kaya alam ko na who are my true friends, and who only uses me”, adds Pepe. "Bilib ako sa mga bagong banda nowadays..ANG GAGALING!", exclaims Pepe. Sana ipagpatuloy nila yun Rock N Roll, hanggang next generation."
In the middle of the interview, Pepe's youngest came in and kissed him in the cheeks, "Hi dad", quips Beebop Smith. I asked Pepe how his career is going in the music industry, "I am discouraging him to be in the music industry, although Sanya and Queenie also ventured into music..madami kse hardships sa music, but, if i were to redo my life again..i would take the same path again.." He said he had no regrets in life.
His view on life is not that complex as many have perceived. His relationship with God is personal and has no frills. "May usapan na kami...na hwag muna Nya ako kunin..para ano pa na ka-birthday ko sya diba?". Yes, Pepe Smith was born on Christmas Day, December 25. He will be 71 this month (December 2018).
Piyaps, as fondly referred to by close friends, does not go to a wake. His close friend ‘Google’ one-time remembers the time when Dolphy (Rodolfo Quizon) died and his presence was requested, “He never goes to a wake, even his close buddies' wake; even Edmund Fortuno or Dondi Ledesma's wake- never. He wants to remember them as they live not when they are dead. Anyway, I prodded him to visit Mang Dolphy. And he did. That was the only time I remembered him going to a wake.”
Pepe Smith is a very comical person. There is never a dull moment with him. Even if the situation or the topic is boring, he makes it a point to cheer everybody up as if its his second nature.

Paco Arespacochaga

Paco Arespacochaga

 

One of the forefronts of the epitome of a 90’s band is Introvoys. ‘Just A Dream', ‘Lullabye', ‘Kailanman', ‘Hindi Nako Aasa Pa' & the band's  hit tune ‘Line To Heaven' are some of the iconic tunes in the 90’s by Introvoys.

Introvoys was formed in Manila, Philippines in 1986 by 3rd-G Cristobal, Paco, Jonathan Buencamino. 3rd-G and Paco were classmates in high school, but have known each other since elementary. The first incarnation of INTRoVOYS had Jonathan Buencamino, Paco Arespacochaga and 3rd-G Cristobal in a small rehearsal space on the corner of Katipunan and Santolan in Quezon City, Philippines. During their first rehearsal, 3rd-G taught Paco how to play the drums. Later, they added Jonathan Buencamino's younger brother Jj to play keyboards, Ira Cruz, lead guitars, and Jobert Buencamino for bass guitar. They recorded the song Just a Dream which was released in the 10 of Another Kind compilation album in 1989.

Due to other priorities, 3rd-G had to give up his position as the band’s rhythm guitar player. The band released their debut album, Back to the Roots in 1990. Their first two singles received a lukewarm response and the band's label, Dyna Records, was ready to drop them. In spite of this, their third single However Which Way, went to No. 1 in Metro Manila in just two weeks. It became the No. 1 song in the country after a month, paving the way for a national tour. Culled from the same album are certified No. 1 singles such as, Calling All NationsMaynila and Lullabye among many others. Ira Cruz left the band in 1991.

When Cruz left INTRoVOYS, Vic Carpio replaced him as their new guitarist. The band's second album, Breaking New Grounds, was released in 1992. Included in this album were the hits Will I SurviveDi Na Ako Aasa PaStay and Are You Happy. The album achieved quadruple platinum status, earning INTRoVOYS the tag "The No. 1 Band in the Land". In 1993, the band released their third album, Line to Heaven, wherein the carrier single was written after Arespacochaga suffered the tragic loss of his parents. This album also included another hit song, "Kailanman".

Jobert Buencamino left the band in 1994 for health and personal reasons. The band invited Paku Herrera of Neocolours to take on Jobert’s chores. They released their first greatest hits concert Greatest Hits...Live followed by their carrier single Living My Life in 1995. The band's fourth album One released in 1996, included hits Tell Me WhyMore Than A Friend and Magkaisa Tayong Lahat. This was Arespacochaga's last album and he left the band in 1996 and was replaced by Toto Villanueva as the new drummer. They released their fifth album Eroplano features the hits "Fool", "My Child", "Eroplano", "The Big Ride" and a cover of Mr. Rey Valera’s hit Kung Kailangan Mo Ako. A year later, Jonathan Buencamino was forced to leave due to an illness that caused him to lose his voice indefinitely. Introvoys, thus far, recorded seven studio albums, one live album and one compilation album.

Introvoys is one of many band from the 90’s era that carved a lasting memory on a teenager's life. It wasn’t until 1990 when they launch their debut album ‘Back To The Roots'.  Their 1992 seminal Album ‘Breaking New Ground' from MCA earned quadruple platinum status. And in 1993, the band’s ‘Line To Heaven' album cemented their place in Philippine music scene as the #1 band in the land that time. One of the most prominent and influential drummer of his generation, Paco Arespacochaga is now based in California, USA since 2001. “That time, new acts were the big thing, like Paolo Santos, Nyoy Volante, Nina and the like, and I feel that it was time to move on to a new place“, laments Enrico Luis Victor Santos Arespacochaga in private. He liberated himself from Introvoys in 1996 and after a short sabbatical, he formed MYSTERY in 1997 and SKIN in 2000. Paco even had a solo album in 2000 entitled ‘Rebirth’. In a short-lived reunion in 2001, some members came and go, but they still remained friends and jam here and there. In 2004, Jonathan Buencamino also migrated in the U.S. “Tinuloy namin yun banda, had a few materials and compiled it and conceptualized a new album ‘A BRIGHTER DAY'”, recalls Paco. This was exactly 7 years after their last album, Eroplano, and significantly marks the exodus of the band from the Philippines to the United States.
“I am very fortunate to have this opportunity to migrate here in U.S., because anytime I wanted to, I can visit the Philippines, Australia, UK, Dubai and appear on TV, book a gig or two, and come back here with my wife and kids”, says Paco.

In 2009, Introvoys saw another revamp in some of its members and , surprisingly, Paco relinquished the drumming chores to Tim De Ramos and Paco assumed the duties of the newest lead guitarist.  In 2014 Introvoys released a new single and an MTV to support the album ‘WHERE WE LEFT OFF’ and the single ‘Nasaan Ka’. The current line up are Vic Carpio, JJ Buencamino, Jonathan Buencamino and Paco. “Jobert is expected to reunite with us here in the U.S. anytime soon”, marvels Paco.

Paco's YouTube Channel ‘PACO IN THE HOUSE'  talks about music, life and family. In a video interview, Paco gamely answers this writers query and offer some more. “My Vlog in YT comes from my everyday grind, my life mostly”, attested Paco.  “Dami ko na napagdaanan, dami ko failed relationships, I have this broad spectrum of first-hand experience and the inspiration comes with the humility of having my feet on the ground again and lived to tell about it. And this vlog is my way of giving back to many musicians, fans and friends”, asserts Paco. “When not  recording or touring I busy myself with this Marketing Company, that I myself put up, that does marketing for other companies, like, social media marketing, website development, produce concerts and develop the the career of artists”, explains Paco when asked what does he do nowadays.
When asked how are today’s generation taking Introvoys music? “That’s a good question”, chuckles Paco. “I thought we were done for. But just last year, AMFM a FilAm Boy Band covered our song ‘Line To Heaven', which is good. And a lovely lady called Sabrina covered our song ‘Di Na Ko Aasa Pa'. Both songs have extensive plays in Spotify and in YT as well. Fans are very receptive, especially with our new album. When fans come by our concerts, they would have in tow their teenage kids, and they would like our kind of music. Akala ko eh lipas na, pero hindi pa pala”, says Paco. “Heaven, my son, has an album called ‘MISTER POOL THE PROPHET' which is also his moniker. He writes his own songs with a Rap-Hiphop genre. Of course, when Heaven asks for advise I would, but I don’t micromanage him”, says Paco.
Introvoys produces their own shows. Paco encourages other acts to do the same. They give advises, tips, and self-taught method to last in the business.