Thursday, June 27, 2019
Henry Katindig
It is common nowadays for a couple to have the same interest in life. But for the common interest to be the same passion is a rare occurrence. Like the Philippine’s Premier Jazz Pianist Henry Katindig and the Premier Jazz Diva Jeannie Tiongco, (daughter of Emil Tiongco of the popular Tiongco Brothers trio in the 60’s). The couple has been together for 19 years. And so is their passion.
Henry grew up in Kamuning, Quezon City. His earliest memory of music was listening to a lot of jazz greats and going to his father’s gig. Henry studied classical music at age of 9 at Yamaha School Of Music. “It was basically innate and been in my dreams to be a musician at a young age”, explains Henry.
Although his skills are self-taught in conducting and arranging, his father’s advise has taught him a lot when it comes to performing, “Just be yourself, master your craft and most of all keep your feet on the ground and couple it with prayer before you perform and thank God for his guidance”, recalls Henry. His father, Eddie Katindig or more popularly known as Eddie K., succumbed to heart attack last December 2017. With a musical lineage that has spawned some of the country’s most revered jazz icons, some quarters may say that his destiny has been preordained. Henry have 5 more other siblings and two of his brothers are musicians. Tateng Katindig who is also a pianist, is now based in the US. Stix Katindig, a drummer who also works abroad plays in a cruise ship. But despite the individual successes of his siblings and kin – including uncle Romy Katindig and cousin Boy Katindig who are also piano virtuoso – Henry carved his own name through via extensive practice and at the same time, created his own musical style.
For the past decades, Henry Katindig’s keyboard genius has earned him his rightful place in local jazz history. Whether playing pop or simple jazz fusion, his inventive and great style has earned him to be anointed keeper of Philippine jazz torch. He has paid his dues as a respected leader, sideman and first-call session artist, and his world-class keyboard artistry has been immortalized in countless recordings and jazz festivals both here and abroad. Ever the industrious musician, it’s not hard to miss his performance in a any major or minor jazz event in and around the Metropolis. When Richard Merk, a fellow jazz artist needed help, Henry Katindig offer his talent pro-bono in raising the funds needed for Richard’s operation via Fundraising Benefit Show in 19East last 2018.
Despite his jazz inclination, Henry’s first few professional gigs found him dabbling in pop, blues and even rock. Henry started performing in 1978 in a show band named ‘Centerfold Band’. He also did session work for Pinoy Rock guitar icon Wally Gonzales and played with his dad as well. And very recently, he shared the stage with Mike Hanopol in 19East. “When I was young, I idolized Mike because of his musical style”, admits Henry.
Through the years, he counts himself lucky for having worked with some of the biggest names in the jazz fusion scene, having worked with Pauline Wilson of Seawind and Laura Fygi as their musical director. But his most memorable was gig? “Playing with my dad, and to some international jazz artists at Java Jazz 2007/2015 “Euro Pinoy Jazz Fest”. It was a magnificent night of musical nomenclature”, attested Henry.
Henry Katindig Contemporary Jazz Group started in Strumms in Makati, and is regularly performing at Conrad Hotel C Lounge in MOA Complex. His lone 2011 album “You And Me” has garner a resounding success and a second album is in the works anytime soon.
Ihawal
Belonging to a politically active family would make one think that all the offspring would follow suit. Not really. Al Rashid Mohammad or Al, grew up in Alabang, Muntinlupa to a family that is involved in politics. His father is a former Vice Governor, worked at Customs and DTI among others. His sister ran alongside Isko Moreno in Manila. “My parents urged me to stop doing music and go the traditional business or politician way”, recalls Al.
His band “IHAWAL” has been making waves locally and are being praised by prominent bands in the music circuit. Their songs has captured audiences by surprise with their melodic and at times comedic lyrics. “I have a food business that involves grilling, IHAW, then dinugtong ko yun name ko AL, kaya naging IHAWAL. My drummer thought it was funny, but we all decided that it would be a great band name. My college band was ‘Burning Ember’, may konek pa din sa IHAW”, muses Al.
Being the 5th kid of 6 sibling, Al was always in the back seat of the car, and forced to listen to his elder brothers and sisters playlist. “I dominantly listen to alternative pop. Pero I listen to all types of music. Not to be biased. Basta maganda sa pandinig ko, ayus na. Our genre? I would probably say a mix of Alternative Pop and Rock Ballad pero Indie OPM na New Wave”, declares Al.
One won’t find similarities, music-wise or genre-wise, in their songs. Besides rock, there are dance beat, New Wave and ‘Kundiman’ style infused in our songs. Still working on their debut album with 8 new original tracks. “I present my band mates a new song. Kumpleto na with lyrics, arrangement and chords. i let them play with it according to their musical style. This way nag kakaroon ng depth ang kanta, kahit sobrang simple lang. All my bandmates are rooted in the New Wave genre. And you’d be able to hear this sa mga originals namin”, says Al. He adds, “I create inspirational songs. We wrap it neatly in our musical style and If you listen very carefully, hindi ka masusuya, hindi sya isang tunog lang”. Songs like ‘Giniling Sa Dilim’, Isang Guhit, Panatang Landian, Ang Tema, Kapit, Panandaliang Sandali, are some of the group’s tunes that are true-blue Pinoy.
Although IHAWAL is only over a year old, the members have been in the music scene way back. Current members of IHAWAL are Al Rashid Mohammad on guitars and vocals, Lawrence Manansala on lead guitar, Ken Randall dela Cruz on bass and Gabrillo IsidroI on drums. IHAWAL’s chief lyricist is Al, points out that he creates music for people to listen and enjoy. And they never ever cover a song. “Sa dami ng kanta, we never cover any song sa lahat nang natugtugan namin. Sayang ang oras na ilalaan mo para sa kanta na likha ng ibang tao. Mas maige gumawa ng bago at pausbungin ang OPM. Hindi pagalingan kumanta, hindi pagalingan ng effect o lead. PAGANDAHAN NG KANTA AS A WHOLE”, reveals Al.
And I agree with him, totally.
Sunday, June 23, 2019
Charm Perez Garcia
Saturday, June 15, 2019
Joko Reantso
JOKO REANTASO, BLUES GUITAR WHIZ KID
Kids today are so lucky. Not only with the onset of technology, but also the availability of all the gadgets and guitars around which made it a cinch for youngsters to express their creative side. Take for example Jonathan Marco Reantaso, Joko for short. This 20-year old guitar enthusiast has enough accomplishment to date. And he is not slowing down.
He formed his first band when he was just 11 years old “Sino” in 2011 and won as Grand Champion in Back to Back Talent Contests in San Beda College Albans 2011 and 2012. “I grew up in Las Piñas, and my dad and I would go driving to places listening to Van Halen, The Beatles, Jimi Hendrix, Eric Johnson, that sort of music, and I kind of grew up liking it”, admits Joko.
In 2013 he formed “Juaneo” in 2013 and was able to get an invite to perform as one of the up and coming bands in the second anniversary of the Philippine Blues Society January 2014. “I took a few lessons here and there, but most of my skills now is I picked up online and a big chunk from the people I met along the way. I basically took everything in and pushed myself to be better everyday”, declares Joko.
“Mean Jay” was his next band formed in 2014. They were the Champion for Greenhills Sessionistas again on the same year. Their band was selected by the Philippine Blues Society to represent the Philippines in the International Blues Competition 2015, Memphis Tenessee. Coming back home another Grand Champion award was accorded to the band for the Yellow Room Battle of the Bands 2015. He was also took the Best Guitarist Award.
From 2015 to 2017, he became the Brand Ambassador for Fender Guitars (Philippines) and Yupangco Music Philippines, making him the youngest recipient of that distinction, thus far. “I am truly blessed to have jammed with Juan Dela Cruz Band, Louie Talan, Basti Artadi, Perfecto De Castro, Cookie Chua, the list goes on….”, reminds Joko.
He also did some session guitar for French Recording Artist David Abakan’s Manila Album Tour. Plus countless performances with guitar greats in many places. Besides to guitar, Joko can also pound the skin and also play the keyboards. “My collection includes a 1994 Fender Strat Squire, a Fender Classic Jaguar, a Fender John 5 Tele, a Chapman ML3 and a Randy Rhoads Flying V”, says Joko.
Joko launched his solo EP album called ‘Sunny Side Up’ last 2018 in 19East. And another is in the works this year. Currently, his band ‘JOKO’ plays original guitar instrumentals. And with a couple of other bands on the side as well. And all of this are happening while he is a student in College of St.Benilde in Taft Ave. taking up AB-Studio Recording.
Louie Manlapas
When Louie Manlapas ran for Barangay Captain of Barangay Real 1, Bacoor, Cavite, he was prepared in spearheading help to his constituents and neighborhood. Little did he know that he will also spearhead to lead a band with his moniker aptly called ‘Real One BNK’ (Banda Ni Kap).
Formed last 2017 with the help of Diablong Buang guitarist Bong Solis, Real One BNK experienced a minor revamp in its lineup with Ashley Morilla on female vocals, Marnie Racela on Bass, Dong Rapanot on guitars, Rizvi Escarilla on Keyboards, Jhay Miranda on drums and Kap Louie himself on male vocals. The band’s influences are The Beatles, Rolling Stones, Lynyrd Skynyrd & Pink Floyd.
Kap.Louie, as he is fondly called says it’s time management on how he can balance to be a Barangay Captain , a business entrepreneur ( he runs and owns an accounting firm in Bacoor Cavite- Manlapas Accounting Office), a family man and a band member, all at the same time. “I am a five-termer Barangay Captain and I guess I am doing something good for the people of my enclave”, declares Kap Louie, who has been serving his constituents since 1995.
Having grown all his life in Barangay Real 1 Bacoor Cavite, (the reason for the REAL 1 BNK in the band’s name) Kap.Louie also restores vintage motorbikes and vehicles as his past time. “Hilig ko lang talaga mag restore. Either for personal collection or for car shows”, says Kap Louie. Despite his busy schedule, he diligently fulfills his work and finds time for his constituents with his community projects, seminars, outreach programs, feeding programs, rescue operations, and the like. Just recently Mayor-elect Lani Mercado-Revilla ( wife of Sen.Bong Revilla) of Bacoor Cavite invited them to perform in their town fiesta. “It’s not everyday that the mayor of your town would handpick your band to perform in a major concert for the people of Bacoor”, musters Kap Loiue.
Real One BNK performs regularly at Tirona Grill every Monday & Terabites Restobar every Thursday. Both are located in Bacoor Cavite. They cover genres from all aspect.; Rock, Ballad, New Wave, Pop, and Pinoy Rock as well.
Sunday, June 9, 2019
Bijei Bufete
Thursday, June 6, 2019
Road Abutin
Ezzy Monzon
Groundstage
Beebop Smith
Most father would want their offspring to follow his career path. But not Pepe Smith. Pepe expressed his wish for Beebop not to follow his footstep.
Manny Cordero
Ben Yanto
Tonet Fabie
Arnel Dayrit
Resty Fabunan
RESTY FABUNAN
PLACE OF BIRTH: BALANGA, BATAAN CURRENT RESIDENCE: OLONGAPO CITY
BAND: MARIACAFRA
GENRE: PINOY ROCK/ROCK N ROLL
INFLUENCE: ERIC CLAPTON/JEFF BECK/JIMMY
PAGE/JIMI HENDRIX
The Junkyard Rock & Blues Bar
"If companies, organizations, groups would want to utilize Junkyard for their private parties, fundraising event, or just plain enjoy the night with friends with good music and food, THE JUNKYARD ROCK & BLUES BAR is the place for you." added Leo Blanco,the other half of Junkyard's owner-operator.
Ground Stage - a quartet rock and blues band from Bacolod with Jericho(vocals) Naghaniel(guitars) Marc(Base) & Junaray(drums) as their members. These kids have a future in the rock scene;
Wally's Fussion - with Walter Joson on base, Reggie Mendoza on lead;
The Diablong Buang Brothers- with Bidon Guevarra, Bong Solis at the helm;
Faded Blue Group - provided some classic and standard rock music that night.
Pepe Smith performed one set of explosive song lineup of classic tunes like BEEP BEEP, ROCK N ROLL SA MUNDO,TEACHER'S ENEMY #1, and the classic HIMIG NATIN. He was emotional during the last song's performance;
Mike Hanopol perfomed with his new mini acoustic nylon guitar which he refers to a GUITARLELE courtesy of Perf De Castro. The ever-jolly and smiling Mike Hanopol performed some of his hits with a twist. The intros to his songs is like a seance in a psychedellic hold. Old tunes like LANGIT, NO TOUCH, KAYABANGAN, MR.KENKOY & LAKI SA LAYAW were chanted by everyone in the bar.
Wally Gonzalez
Tonie Bufete
If it wasn’t for the perseverance of and inclination to reinvent the sound of guitars in the early 1940’s, we wouldn’t know what would become of our present-day guitar heroes and guitar gods, so to speak. Tonie Bufete, is one such disciple in terms of Folk and Rock music in the country, during its heydays in the 1970’s.
“My inclination in music came from my mother and her siblings. They are really good singers”, declares Tonie. Born in Manila, his father worked in Esso in Pandacan back in the days when lots was offered in Balagtas area. His musical journey started when he was in elementary, he would willingly offer a song or two whenever there is a program in school singing “My Prayer” and “Twilight Time” by the Platters. “When the Association and Zombies songs flooded Manila airwaves i started to learn the guitar courtesy of my cousin Francis Albaniel who i joined my first taste of Japan in 1969 to 1970, i was only 15 years old then so my Father had to sign a parental consent for me to be able to travel”, marvels Tonie of his first gig.
Back home, after his Japan stint, Acid band was formed, the original members were Ricky Frias on percussions, Cesar Frias on drums, Willie Pineda on Keyboards, Tammy Marasigan on Bass and Tonie on lead guitar. They were regular performer every Saturday at “Stop, Look and Listen” in ABS CBN, hosted by Jeanne Young and Ricky Belmonte. The Acid Band was active from 1970 to 1972, when they were offered a regular gig at the Flames in Roxas Boulevard, but since he was still pursuing his studies plus Ricky Frias and his family moved to Guam in mid 70’s the band disbanded. But in 1978 Tonie Bufete formed a classical folk rock trio called “TNJ”. TNJ (ala CSNY for Crosby, Still, Nash & Young) stands for the acronym of the first names of the member of the trio namely Tonie Bufete, Noli Aurillo and Joey Montilla. “Folk houses were in bloom that time; Bodega, Hobbit House, Kola House, Spindle, International Pub, Shakey's, Bachus, My Fathers Moustache to name a few of the places, are some of the watering holes we have performed to”, quips Tonie. The trio also have graced some tv programs of Nora Aunor, German Moreno and other popular TV shows during that era.
“Freddie Aguilar's ‘Anak’ was enjoying a humongous following. Asin & Sino Band had just released their initial singles, respectively, when TNJ were also offered to record our original compositions," Ang Mundo" & "Kapalaran". But the trio disbanded abruptly. Everyone was in disbelief when suddenly we have to part ways in the peak of our popularity.” Laments Tonie, “Wala eh, hindi para sa amin yun time na yun.”
Fast forward into today’s fast-paced lifestyle, Tonie and the rest of THE ACID BAND are back together again, romancing their first love; making music. This author had the opportunity to watch Tonie and The Acid Band live in a number of times, and believe me, there is no dull moment when they take the stage and perform cover of Santana and other Psychedelic songs. The PCR (Pinoy Classic Rock-a group musicians that was merged by Ben Yanto) served as the comeback vehicle for Tonie and the rest of Acid Band to display their brand of music. A yearly event that happens every January since 2002, PCR had showcased most of the countries musical geniuses in the 50's thru the 90's and have no plans of slowing down in the near future. But for the first time in almost two decades, the PCR have temporarily halted all live musical performances due to the pandemic.
Stephen Lu
The mysticism of the 90’s diversity in sound, interpretation and style created a culture where each band is a mentor to another. Everyone knew everyone and supported each other’s music. Though unique in sound and identity, a 90’s band is part of one community, one family, and one culture.
When Stephen Lu first came out in the music scene in the 1980’s, he was in a rockabilly band called the Runaway Boys, named after the song by the Stray Cats.
“I started out my musical journey with the ‘RUNAWAY BOYS’ in UP DILIMAN, as a freshman back in 1983. As a young boy growing up in different places in and around Metro Manila, I was exposed to Sunday “tagay” and the fancy I acquired with jukeboxes and JINGLE magazine”, remembers Stephen.
The group, then enetered a TV Punk Band contest, and ended up as a runner. “We used up the prize money to record. After about a year or so, I left the Philippines to accomplish my college education in the US and further got exposed to rock music and totally enjoyed watching live concerts of the artists I was exposed to on MTV”, Stephen reminisces.
Upon his return to the Philippines by 1990, ‘Stiff’ had aspired to take the music more seriously, paying their dues, performing 3 sets a night and 3 nights a week in the gig circuit in Metro Manila, with the occasional out of town shows. The seasoning provided by watching his elder brothers in the business, namely COCO JAM, JUN LOPITO, THE JERKS & several others really fine tuned his craft until the dawning of THE RIZAL UNDERGROUND, established during the release of ALERT LEVEL, an indie compilation album featuring unsigned bands TROPICAL DEPRESSION, COLOR IT RED & THE BREED
“Surrounded by the most talented songwriters/musicians, we were able to generate a successful bout in the underground until we were signed by POLYCOSMIC RECORDS, and eventually the “SABADO NIGHTS’ phenomenon. Our music finally hit the airwaves which brought us to the farthest reaches of the Philippines and thus fueled my thirst to travel and perform in some of the most exotic destinations in the country”, relays Stephen.
When the year 2000 came, Stiff kind of semi-retired upon the birth of his 2 kids but somewhat came back around 2008 and has since have performed the rounds of beach destinations like Puerto Galera, Boracay, Coron & Siargao. Armed with a new band with a newly-formed outfit called the ROCKOUSTIC BLUES EXPERIMENT. Initially, it was a cover duo, trio or band, but eventually releasing a CD as a full band, comprised of industry veteran members, in 2017, touring extensively in the country to promote the release.
“Currently, I have decided to pursue this journey as a SOLO artist, performing in destinations outside the Philippines. The first ever time of which was only last June of 2018, when I embarked on a US tour to promote the ROCKOUSTIC BLUES EXPERIMENT CD. It was such a successful and delightful experience travelling with my 2 teenage daughters, hitting the big cities of Los Angeles, San Francisco, New York and Houston. Although none of my family are musicians, they have keenly supported my musical journey specially during that tour”, marvels Stiff.
“As a musician, there is nothing more valuable than to be able to showcase the music in different places. And with the success of the US Tour with my children, I think someday they can share with their kids the experience and the modest success that I was able to generate during my lifetime. Taking musical journeys together and making people happy in the process”, asserts Stephen.
Rhea Lipio
Pinoy Rock. A genre where Pinoy can relate and emulate their much revered musicians. But for Rhea Lipio, her music inclinations came in a paternal way. Early on, Rhea would be exposed to music. Growing up in Kalayaan Ave in QC. His father, the Detachment Commander of Luneta at that time, would turn on their stereophonic player and play FAITHFUL LOVE by Cezar Manalili almost always at 6am daily. “Asin, Banyuhay, Freddie Aguilar, Juan Dela Cruz, Boyfriends , Hotdogs , Sampaguita, etc... madami pinapatugtog si Papa”, marvels Rhea.
“Masarap sa tenga, hindi nakakasawa”, quips Rhea. That started it all. Pepe Smith, at that time, lives in Kamuning also in QC, and they would cross path many times. “Si Pyaps talaga ang impluwensya ko ever since”, adds Rhea. “May bar dun sa malapit sa amin name BARKO, dun ako nakakakita ng mga musikero, one time nakita ko si Pepe Smith sumigaw ako ROCK N ROLL, sumagot naman sya at sinabi ROCK N ROLL din”, muses Rhea.
When she entered college, she attended a Rock Fest that featured Pepe Smith and his band Kwadro. She was eventually recognized by Pepe Smith and their relationship as music enthusiast grew even further. Pepe Smith was getting his chops back from a series of misfortunes from drug charges being dropped and changing hand in Pepe's management at that time. And just like any ordinary teenager, Rhea has her share of ups and downs. Relationship woes, substance curiosity, peer pressure, name it, she went thru it. She even manage to land in jail for a misdemeanor over a lost money which she happen to own. “Oras lang naman, hahaha”, relays Rhea. Music rescued her from all of these. She started to attend concerts and club gigs.
It was in this, that she found her calling. She met Gary Perez of Sampaguita and Anak Bayan fame. At that time, ‘Gorio', as he is fondly called by his peers, needed the break on his lumping career. Rhea produced an album for him and concocted numerous gigs and book Gary Perez as a new package. Resty Fabunan of Maria Cafra is a close friend of Gary Perez. Rhea eventually organized a number of gigs and concerts for Resty Fabunan and Maria Cafra. Her being a member if PCR (Pinoy Classic Rock) has spurned many acquaintances from the roots of Pinoy Rock. And in 2012, she heard and witness Cezar Manalili play FAITHFUL LOVE live.
“Hindi lang naman gigs at concerts, pag may need din ng fundraising help din ako..lalo sa mga musikero”, confesses Rhea. Rolly Averilla’s son (drummer of Maria Cafra) had an accident a few years back, and Rhea organized at least 2 fund raising concert for Rolly's son. One in Junkyard in Cavite and one in Metrowalk Pasig. Another recent fund raising is for a friend Lai Enriquez which Rhea helped run the whole program. “Masarap tumulong sa kapwa, lalo pag walang kapalit. Dun mo maramdaman yun tunay na pagka kaibigan”, advises Rhea.
Her “PINOY ROCK SUMMIT” series had been going on for almost 2 years now. So far, Pinoy Rock Summit went to as far as Angeles, Pampanga and Bauang, La Union and has a roster of talents to boast of; MIKE HANOPOL, MARIA CAFRA, ARNEL DAYRIT & THE BOYS, DIABLONG BUANG BROTHERS. “There was a plan, before pa, para kay Pepe Smith, mga mid April 2019 sana kaya lang nawala na nga si Pepe. In that plan, we would include sana si WALLY GONZALEZ & MIKE HANOPOL, kaya lang now tribute na lang ang mangyayari”, declares Rhea. Now in its 3rd installment, Pinoy Rock Summit 3 will feature Wally Gonzalez as a tribute concert to Pepe Smith in Junkyard in Cavite.
“Kita? Wala sila alam”, answers Rhea when asked how much has she gain so far in organizing and producing these shows. “Passion ko ito pards, parang anak ko na din itong Pinoy Rock. Maliban sa 3 daughters ko itong Pinoy Rock ang baby ko”, attested Rhea. “We should give importance to the roots of Pinoy Rock artists, because without them wala ngayon yun mga banda na sikat, na alam natin lahat na impluwensya lahat ito ng PINOY ROCK!”.
Pepe Smith Last Convo
December 12, 2018, 1830
It was about August of this year, when everyone in the Pinoy Rock Scene heeded the call for the medical assistance of one Jose William Feliciano Smith, or Pepe Smith, which has to be attended to immediately. Like a wildfire in an arid dessert, word got out thru the social media, and the virtual hat, was passed on to suffice Pepe's need. Six months prior, he suffered a minor stroke which led to the postponement of the greatly touted PEPE SMITH ROCKFEST.
On a recent interview in his new home in Cainta, this writer asked him..."Nearly 60 years in music...jailed for almost 2 years, 2 strokes, a vehicular accident... being part of many great bands like SPEED,GLUE & SHINKI... JUAN DELA CRUZ..you fronted for the Beatles...many albums... drug problems before...how would you describe your life in one word?". Without batting an eyelash...Pepe quips with a smile, " ROCK N ROLL!".
His ever-present friend and Bassman Richard Esquejo, "SPANKY" to his friends, rolls in laughter when Pepe narrates, "Etong si Spanky ang maasahan ko sa lahat ng bagay..kami na ang bagong "KALABOG EN BOSYO", referring to Edmund Fortuno when they started Juan Dela Cruz, ..."i missed him so much...", laments Pepe. Just when he's about to get teary-eyed he blurted out, "ewan ko ba bakit hindi pa nabubuntis si Spanky, ang tagal ko na kasama ito."
Contrary to many, Pepe is perceived a very carefree, comical and lively person in front of his fans, his soft sides shows and manifests whenever he recalls what happened to the Pepe Smith Rockfest last June. "I am just glad that, there are still people out there who appreciates my music and my contribution to the music scene." Nearly teary-eyed, he shove a spoonful of steamed rice and paksiw na lechon and gulped it down with coke. I asked him if he is ok, "ROCK N ROLL!", he blurted out.
"Three days pa lang kami dito lumipat sa Cainta, i have to transfer near sa hospitals, malls, food stalls and my friends...yun dati kse ang layo..pag may gig ako hirap bumyahe.." Pepe apologizes as to his house is still in shambles. His awards, Gold Record, guitars, amplifiers, paintings are still strewn about in their sala. He plays PS4 as i asked him when i saw his console in his room upstairs, I thought it was Beebop's. "Naglalaro din ako..nakaka aliw eh.. i play with Beebop whenever he is around." adds Pepe.
His musical taste has not changed over the years. He still hopes a reunion concert with his old buddies MIKE HANOPOL and WALLY GONZALEZ materializes. He only have high praises for his music-comrade: Wally is exceptionally good guitar player.. bow ako sa kanya..Mike is a prolific writer.. and a respected Jewish guru.. i would not mind playing with them again." His view on musicians entering the political arena? "As long as they can do it, why not. Trip nila yan eh. Walang basagan ng trip" , quips Pepe.
The June 02,2018 Pepe Smith Rockfest still lingers as a great musical extravaganza sans the respect of the producers. "Nahihiya ako sa mga bandang nag participate... there was collusion on the part of the producers...i will not delve into the details alam na naman ng lahat yan..Diyos na bahala sa kanila...dito mo talaga malalaman kung sino totoo mo kaibigan..when you are down and out and broke... i have survived many hardships and trials..kaya alam ko na who are my true friends, and who only uses me”, adds Pepe. "Bilib ako sa mga bagong banda nowadays..ANG GAGALING!", exclaims Pepe. Sana ipagpatuloy nila yun Rock N Roll, hanggang next generation."
In the middle of the interview, Pepe's youngest came in and kissed him in the cheeks, "Hi dad", quips Beebop Smith. I asked Pepe how his career is going in the music industry, "I am discouraging him to be in the music industry, although Sanya and Queenie also ventured into music..madami kse hardships sa music, but, if i were to redo my life again..i would take the same path again.." He said he had no regrets in life.
His view on life is not that complex as many have perceived. His relationship with God is personal and has no frills. "May usapan na kami...na hwag muna Nya ako kunin..para ano pa na ka-birthday ko sya diba?". Yes, Pepe Smith was born on Christmas Day, December 25. He will be 71 this month (December 2018).
Piyaps, as fondly referred to by close friends, does not go to a wake. His close friend ‘Google’ one-time remembers the time when Dolphy (Rodolfo Quizon) died and his presence was requested, “He never goes to a wake, even his close buddies' wake; even Edmund Fortuno or Dondi Ledesma's wake- never. He wants to remember them as they live not when they are dead. Anyway, I prodded him to visit Mang Dolphy. And he did. That was the only time I remembered him going to a wake.”
Pepe Smith is a very comical person. There is never a dull moment with him. Even if the situation or the topic is boring, he makes it a point to cheer everybody up as if its his second nature.
Paco Arespacochaga
Paco Arespacochaga
One of the forefronts of the epitome of a 90’s band is Introvoys.
‘Just A Dream', ‘Lullabye', ‘Kailanman', ‘Hindi Nako Aasa Pa' & the
band's hit tune ‘Line To Heaven' are some of the iconic tunes in the 90’s
by Introvoys.
Introvoys was formed in Manila, Philippines in 1986 by 3rd-G Cristobal, Paco, Jonathan Buencamino. 3rd-G and Paco
were classmates in high school, but have known each other since elementary. The
first incarnation of INTRoVOYS had Jonathan Buencamino, Paco Arespacochaga and
3rd-G Cristobal in a small rehearsal space on the corner of Katipunan and
Santolan in Quezon City, Philippines. During their first rehearsal, 3rd-G
taught Paco how to play the drums. Later, they added Jonathan Buencamino's
younger brother Jj to play keyboards, Ira Cruz, lead guitars, and Jobert
Buencamino for bass guitar. They recorded the song Just a Dream which was released in the 10 of Another Kind compilation album in 1989.
Due to other priorities, 3rd-G had to
give up his position as the band’s rhythm guitar player. The band released
their debut album, Back to the Roots in 1990. Their first two singles received a lukewarm
response and the band's label, Dyna Records, was ready to drop them. In spite
of this, their third single However Which Way, went to No. 1 in Metro Manila in just two weeks. It became
the No. 1 song in the country after a month, paving the way for a national
tour. Culled from the same album are certified No. 1 singles such as, Calling All Nations, Maynila and Lullabye among many others. Ira Cruz left the band in 1991.
When Cruz left INTRoVOYS, Vic Carpio
replaced him as their new guitarist. The band's second album, Breaking New Grounds, was released in 1992. Included in this album
were the hits Will I Survive, Di Na Ako Aasa Pa, Stay and Are You Happy. The album achieved quadruple
platinum status, earning
INTRoVOYS the tag "The No. 1 Band in the Land". In 1993, the band
released their third album, Line to Heaven, wherein the carrier single was written after Arespacochaga
suffered the tragic loss of his parents. This album also included another hit
song, "Kailanman".
Jobert Buencamino left the band in 1994
for health and personal reasons. The band invited Paku Herrera of Neocolours to take on Jobert’s chores. They
released their first greatest hits concert Greatest Hits...Live followed by their carrier single Living My Life in 1995. The band's fourth album One released in 1996, included hits Tell Me Why, More Than A Friend and Magkaisa Tayong Lahat. This was Arespacochaga's last album and he left the band in
1996 and was replaced by Toto Villanueva as the new drummer. They released
their fifth album Eroplano features the hits "Fool", "My
Child", "Eroplano", "The Big Ride" and a cover of Mr. Rey
Valera’s hit Kung Kailangan Mo Ako. A year later, Jonathan Buencamino was forced to
leave due to an illness that caused him to lose his voice indefinitely. Introvoys, thus far, recorded seven studio albums, one live album
and one compilation album.
Introvoys is one of many band from the 90’s era that carved a
lasting memory on a teenager's life. It wasn’t until 1990 when they launch
their debut album ‘Back To The Roots'. Their 1992 seminal Album ‘Breaking
New Ground' from MCA earned quadruple platinum status. And in 1993, the band’s
‘Line To Heaven' album cemented their place in Philippine music scene as the #1
band in the land that time. One of the most prominent and influential
drummer of his generation, Paco Arespacochaga is now based in California, USA
since 2001. “That time, new acts were the big thing, like Paolo Santos, Nyoy
Volante, Nina and the like, and I feel that it was time to move on to a new
place“, laments Enrico
Luis Victor Santos Arespacochaga in private. He liberated himself from Introvoys in 1996 and after a short
sabbatical, he formed MYSTERY in 1997 and SKIN in 2000. Paco even had a solo
album in 2000 entitled ‘Rebirth’. In a short-lived reunion in 2001, some
members came and go, but they still remained friends and jam here and there. In
2004, Jonathan Buencamino also migrated in the U.S. “Tinuloy namin yun banda,
had a few materials and compiled it and conceptualized a new album ‘A BRIGHTER
DAY'”, recalls Paco. This was exactly 7 years after their last album, Eroplano,
and significantly marks the exodus of the band from the Philippines to the
United States.
“I am very fortunate to have this opportunity to migrate here
in U.S., because anytime I wanted to, I can visit the Philippines, Australia,
UK, Dubai and appear on TV, book a gig or two, and come back here with my wife
and kids”, says Paco.
In 2009, Introvoys saw another revamp in some of its members and ,
surprisingly, Paco relinquished the drumming chores to Tim De Ramos and Paco
assumed the duties of the newest lead guitarist. In 2014 Introvoys
released a new single and an MTV to support the album ‘WHERE WE LEFT OFF’ and the
single ‘Nasaan Ka’. The current line up are Vic Carpio, JJ Buencamino, Jonathan
Buencamino and Paco. “Jobert is expected to reunite with us here in the U.S.
anytime soon”, marvels Paco.
Paco's YouTube Channel ‘PACO IN THE HOUSE' talks about
music, life and family. In a video interview, Paco gamely answers this writers
query and offer some more. “My Vlog in YT comes from my everyday grind, my life
mostly”, attested Paco. “Dami ko na napagdaanan, dami ko failed
relationships, I have this broad spectrum of first-hand experience and the
inspiration comes with the humility of having my feet on the ground again and
lived to tell about it. And this vlog is my way of giving back to many
musicians, fans and friends”, asserts Paco. “When not recording or
touring I busy myself with this Marketing Company, that I myself put up, that
does marketing for other companies, like, social media marketing, website development,
produce concerts and develop the the career of artists”, explains Paco when
asked what does he do nowadays.
When asked how are today’s generation taking Introvoys music?
“That’s a good question”, chuckles Paco. “I thought we were done for. But just
last year, AMFM a FilAm Boy Band covered our song ‘Line To Heaven', which is
good. And a lovely lady called Sabrina covered our song ‘Di Na Ko Aasa Pa'.
Both songs have extensive plays in Spotify and in YT as well. Fans are very
receptive, especially with our new album. When fans come by our concerts, they
would have in tow their teenage kids, and they would like our kind of music.
Akala ko eh lipas na, pero hindi pa pala”, says Paco. “Heaven, my son,
has an album called ‘MISTER POOL THE PROPHET' which is also his moniker. He
writes his own songs with a Rap-Hiphop genre. Of course, when Heaven asks for
advise I would, but I don’t micromanage him”, says Paco.
Introvoys produces their own shows. Paco encourages other
acts to do the same. They give advises, tips, and self-taught method to last in
the business.