Sunday, October 4, 2020

Paul Toledo


Paul Toledo – Rod Stewart of the Philppines

One of many unsung heroes and seldom mentioned OPM artist from the 70’s thru the 80’s was Paul Toledo.

Born in Silang, Cavite,  Paul Toledo started out as the vocalist and guitarist of the band New Faces with Rey Sanchez also on vocals and guitars, Bonjing Sanchez on drums, Bing Quiambao on keys, Boy San Jose on bass and Jimi Galvea on 2nd guitars and 2nd keys. From 1973-1974, Paul toured the highlands of Olongapo and jammed with some local greats. Paul also became a member of Griffins Band who regularly performs in RJTV. After this, he had a short stint in Kyoto, Japan as the bandleader of Family Size Band with Nony Cabalfin on bass, Tommy Simon on 1st lead guitar, Danny Dagdayan on Keys anf Manny Salvador on drums. This was in the late 70’s.

Paul Toledo rose from the ranks from singing in bars and bistros in and around Metro Manila. His course and husky voice earned him the moniker ‘Rod Stewart of the Philippines’. A moniker he is thankful. He was a regular fixture of RJTV, who interviews guests, pinch-hits for Ramon Jacinto and performs as well.

His songs, laced with a dab of satire and humor, are sometimes misinterpreted as novelty and politically incorrect. “Lumba-lumba” (dolphins), opines his love for the plus-sized women over slim ones. [Nais kong malaman nyo, ayaw ko ng babaeng puro buto. Ang gusto kong babae’y singlapad ng barko, kahit ‘di pakainin sexing sexy pa din]. “Pa Japan Japan”, is about the rewards of being employed in Japan as a Japayuki. [Pa Japan Japan ka na ngayon, natupad din ang iyong ambisyon. Pa Japan Japan, pa hapon hapon bakit salita mo’y nagkaganun]. “Pa Sosyal Sosyal”, tells about an anti-miser attitude of some Pinoys, come social climber for the world to envy and see, but could not support it due his meager salary. [Pasosyal sosyal, hilig mo ay layaw ng katawan. Pasosyal sosyal, isip mo’y mayaman].

In 1984, Paul Toledo’s song ‘Buntong Hininga’ was part of the collection of songs that was featured in the landmark seminal film by Lino Brocka, Sister Stella L. [Dahil sa maling pamalakad, negosyo ko’y bumagsak. Barkada’y naglahong lahat, ako’y nagkamulat].

During his career as a singer and a songwriter, he made one solo album, namely You Are The One. His song ‘Lumba lumba’ was included in Bonggang Bongga (as part of a 42-song compilation). There are other  locally produced compilation album which includes some of his work.

Paul Toledo expired last March 2011 from a heart attack, while inside a taxi in a southern Manila suburb.

Friday, June 26, 2020

Kat Darling


KAT DARLING

By: Ronnie Reyes

Not even the pandemic we are experiencing nowadays can stop the pure talent of the Pinoys. One such talent, which is already ripe for the picking, is an artist called KAT DARLING. Successfully launching her single right in the nick of time before COVID-19 hits last March 20, 2020. The single timbers with raw and powerful blend of blues-rooted soul with funk and hip-hop.

Her single – SUFFERIN’ is up on all major music platforms. This single has been played 16,000 times already. “That’s not even the best part, I got to be part of some international playlist like VZN Radio in the Carribean, another in London and one also in the US”, exclaims Kat. In this single, she expresses her feelings of self-doubt and anxiety: a common denominator in today’s youth. She says in this day and age, young people are more subjected to seeing “the perfect life” all over social media. In the song, she communicates that one should never hesitate to be transparent about their problems, because there will always, always be someone who is ready to listen and to help ease their suffering.

This independent singer-songwriter was born and raised in Manila. “I grew up listening and singing pop music. I was also part of our church choir and I was a Psalmist during Holy Week”, confesses Kat. She also sang at weddings during those days. Her influences manifests in many musical genres like - reggae, ska, rockabilly, rock n roll, blues, soul, drum n bass, hip-hop, and pop, to name a few. “When I was young, I was so impressed by Skarlet Brown. She influenced and helped enlighten me about female singers’, admits Kat. This idea, that, she don’t have to fit the mold, made her realize that being a pop star is not what matters. She reckons not being one, is the true grit in local music. “I have been singing/gigging on and off since I was 15 years old”, says Kat. Performing isn't new to her, before she used to front bands like RSVP Acoustic band. Irie-I. Escolta 3:AM (with Jun Lazo, Brutus Lazcano, Niki Cabardo); Lucha Loka (with Rod Mijares, Jun Nogoy, Ronn Sana). “I was doing it as a side job to earn extra. Now, I feel like I really want to create my own kind of music because if I don't, I'll regret it. Life is too short to not be doing what you love.”, explains Kat.

During the quarantine period, she rendered a live performance on Facebook, with some of her friends in the music induatry for a fund-raising parlay. Other big artists that she performed with before includes; Wally Gonzalez of Juan Dela Cruz Band fame, Cooky Chua, Noli Aurillo, Joey Ayala, to name a few. But her most prized gig came at a Cafe in Nusa Lembongan, Bali, Indonesia. “I performed by myself and played my first international gig, by myself! It was surreal”, finishes Kat. A pre-school teacher by profession and a cat-lover since her teen days, Kat Darling (as she is fondly called) expresses optimism and exuberance about life’s calling, “Wrestling with anxiety and self-doubt, I chose not to do so in silence, but in style”.

Following the successful release of her first single “Sufferin” last year at the height of the global pandemic, Kat Darling has released a new track to kick start 2021. The new single was launched on Spotify, Apple Music/iTunes, Instagram/Facebook Music, Amazon, Deezer, Pandora, Napster, iHeart Radio, Tiktok, Tidal, ClaroMusica, Saavn, Anghami, KKBox, Medianet and Shazam last Jan.15, 2021. Entitled “Don’t Tire Out”, the track is a delightful exercise in retro soul vibes with a punchy drum sound, that firmly placed it in the genre of modern soul. The track is best listened to at night, as you wind down from a long day at work, glass of whiskey or wine in hand. Guest guitarist, Coco Coo takes the lead guitars to a whole new level. Coo adds a round Motown flavor and brings the piece to higher ground while complimenting Kat Darling’s lyrical stylings and emotional outpouring.

An avid follower was quoted as saying, “If I had not known who the artist was when I listened to this music, I would have thought, the tune came out of the Motown records and interpreted by a foreign artist. The trumpet-thing, the arrangement, the staccato-like rendition of the song, the phrasing and diction was astounding as it is. I want to hear her perform live!”. The well-produced and well-thought tune is in contrast to the bubbly, hippity-hop style of her initial single ‘Sufferin’. Well, both tunes takes you back to a different time frame. That is how enigmatic and robust Kat’s style is in rendering songs.

Produced by veteran musician and composer Dan Gil, “Don’t Tire Out” takes the listener on a journey through a toxic relationship where one is at fault – for loving too deeply and too intensely, calling to mind ballads and heartaches of Janis Joplin, Blood, Sweat and Tears and Sharon Jones with the Dap-Kings. The track also features Joel Mondonedo (Reklamo, Tons of Others) on bass guitar, Thor Salvador (animation/film music composer) on keyboard, and Charles Blanco (Tons of Others, Basilica) on drums. As her previous release was embraced internationally and has been featured in the UK’s Spotify Playlists “Music to Shake A Hoof,” “The Stock Exchange” and got radio airplay in the “Caribbean Broadcast Network”, this new single is poised to be a hit among the blues and psychedelic rock-loving set. Also,  the release of the Don’t Tire Out music video will be available soon. “It's a collaborative effort with the band and shot with no crew. The video is co-directed by LC De Leon, front man of the band Reklamo and is a director for advertising/short films.”, prides Kat. April 2021 is the target month for the video’s release.

Taking things one step at a time, appears to be the pace Kat has been employing in, as far her musical career is concerned. For the past two years, she has recorded, rather independently, only two songs. “But quality ones!”, quipped Kat with a sheepish smile. “Sponsors are hard to come by nowadays, I guess they have different priorities than mine”, admits Kat with a chuckle. Kat has remained an independent and self-managed artist and don’t have plans to be managed by anyone else in the near future. “That’s the beauty of being one (independent/self-managed artist), I get to choose, when to perform, where to perform and whom to perform to. I am not duty-bound by any contract where I have to be with against my will, on the wee hours of the morning in a god-forsaken place just to fulfill my obligation as an artist.”, declares Kat. With that being said, Kat has kept her schedule busy this year, by recording a further three more songs with a collaborative effort with another artists.

To get updates with her singing career and gigs and other updates, kindly visit ‘Kat Darling PH’ on Facebook.

Tuesday, February 18, 2020

Blind Side


Ever since the inception of music, the senses are and will be an essential part of any genre; sense of touch, hearing and sight. Wrong.  There are many musicians, both locally and otherwise, that are physically handicapped but still realized their passion in music. Jose Feliciano, Stevie Wonder, Ray Charles, Rick Allen (the one-armed drummer of Def Leppard), Ludwig Van Beethoven was deaf, Toni Iommi of Black Sabbath had lost the tip of his fingers in a freak accident, Fred Panopio is a Polio victim, Willy Garte is clinically blind and countless more to mention. Locally, a band with its lead guitarist and singer have sight impairment since he was 15 yeasr old.
Meet Riane Foronda of the band Blind Side. “I was born with a disease that leads to my blindness. When i was 5 years old, I lost my left eye, and then when I was 15 years old,I  underwent a cataract surgery but it had complications with my inborn eye disease. I got a lot of eye surgeries afterwards. But eventually my right eye couldn’t take it anymore. That’s when my doctors told me that they did everything they could to save my remaining eye”, laments Riane. After that catastrophic episode in his life, Riane almost went into depression and could not do anything without his sight. Or so he thought. Riane, like a storyline out of a movie, refused to be hit with a cudgel of reality that he forever will be inane and useless, learn the rudiments of guitar-playing.
“I figured, many guitarist does not even look at their guitar while playing it, I assumed that, playing this instrument needs heart and feel, which I have plenty of. I learned the basics and philosophy of guitar-playing, and to top it off, my family enrolled me in School of Rock Music School”, continues Riane.  As a student, he met fellow music enthusiast and form a band. “We are part of School of Rock House Band then our current music director and other instructors encouraged me to compose original songs and start a band. Then last Feb. 1, 2017 Blind Side was formed as a three-piece rock band”. The original line up consisted of Riane Foronda on guitar and vocals, Dani Dimaano on bass and Gel LucaƱas on drums.
“Then came April of 2019 our original drummer had to leave the band. At first it was hard for us to adjust, but luckily we had a lot of drummer friends in the scene who we asked to session for us. In June 2019 Wakin Ramos the 10 -yo wonder boy drummer accepted our invite to become our permanent drummer. It works for us because we’ve known him for years in the School of Rock house band”, admits Riane. Matthew Dooma soon became part of the new lineup as a bassist. After the lineup change, they found themselves motivated to play even better than before and kept their pursuit in passion for music. “Last August 2019 on a whim, I suggested to my band mates that we should audition for the first ever VivaCon at World Trade Center. We weren’t really expecting anything that day we just wanted share our music to as many people as possible. But after we played our song they asked us to sign on the spot for a recording deal with Viva. We were really surprised and very grateful that they gave us a chance. We’ve already released our first song under Viva Records last Jan 17, 2020. Its title is ‘D’wata’ our own take at a hugot song with a twist and soon hopefully we’ll be making a music video for it”, boasts Riane. ‘Paraiso ng Kadiliman’ is another of their songs, that deals with harsh reality of drug addiction. Riane composed all of Blind Side’s music.
Whenever Blind Side performs, the audience doesn’t realize that Riane is clinically blind. They thought, he was just acting cool in wearing those shades on stage. “I would want to keep it that way, Pinoys have a tendency to look down on you when you are physically challenged or they would take pity on you. I would like to be treated as a normal being not withstanding my handicap. Music is my language to reach out to the masses”, admits Riane. Thus far, they have performed for Fete de la Musique’ 2019 Alternative Stage. Shared the stage with Kevin Roy , Typecast, Hilera, Datus Tribe, Agaw Agimat, Join the Club, The Youth, Philippine Violators, Loquy, Bita and the Botflies, Razorback with Ms. Kat Agarrado just to name a few.
What are they busy with nowadays? Matt is a freshman in UST taking up Legal Management. Wakin is a grade 5 student. Riane is learning Nipponggo.

Wednesday, January 8, 2020

Pinoy Classic Rock @ 18





While living in Guam, Ben Yanto came up with the idea of reaching out to fellow musicians from the 60’s and 70’s via egroup and a website, he had no idea that the reunion/jam would last up to its current undertaking at 18 years now. “My dream was just to get in touch with fellow musicians around the globe and eventually jam with them”, admits Ben who formed the egroup and website last 2002.

In a recent interview, Ben has revealed the next reunion/jam would be on January 23, 2020 at Valle Verde 1 in Pasig. “The theme this year is ‘Clean Sounds of the 60’s and 70’s. More likely like mellow tunes or sounds or what others call Soft Rock”, explains Ben.  With the help of 2020 PCR Organizing Committee Cindy Caberte-Rufo, Bessy Velez, Ellen Velez, Vambi Tolentino & Renato Babes Tolentino and PCR  Manila Core Group Jing Warren, Lito Zabat, Atek Jacinto, Jesse Jocson, Jun Lopez and Ben Yanto himself – the group organized an ensemble of great guest performers who have shaped our music reverence early on. Boy Camara of the 70’s and 80’s band Afterbirth and Dinosaur will grace the event. Atek Jacinto of Circus band will also perform. Lito Toribio of The Electromaniacs will pound some skin as well. Emil Caballero and Jun Raymundo will also perform.

Many artists have graced the reunion/jam before and there is no telling if they might drop by to perform a tune or two. Artists that have performed before includes: Maria Cafra, Noli Aurillo(2-time Aliw awardee), Cezar Manalili with his world-famous instrumental ‘Faithful Love’. Throughout the years, many members have passed away but many are still active and able to perform with much gusto. During the past years, PCR has invited bands and was invited to perform. One such band is BNK 1 (Banda Ni Kap) of Imus, Cavite who is expected to perform 'Manila Sounds' in the said event. Marnie Racela, BNK 1’s bassist said, “We are very grateful, it is a humbling experience to be part of this event”.

This yearly event attracts a number of Pinoys living abroad, and goes out of their to attend this event. “Every Pinoy Classic Rock aficionados out there are invited to sing and dance with us. A night of music, food and camaraderie will overflow”, finishes Ben Yanto.